England -- Social life and customs -- 19th century -- Fiction; Love stories; Man-woman relationships -- Fiction; Painters -- Fiction
"That? Oh yes, there's a very remarkable story connected with that
picture. A great deal in the girl's face, as you say. Well, Everitt
happened to have painted it from a model; he doesn't always, you know.
No, you're quite right; we do our best things entirely out of our own
heads; it secures originality. Just so. However, sometimes Everitt has
to fall back on a model, and we heard afterwards that this one was in
disguise; there's was a hint that she was a duke's daughter--"
"Oh, Mr Hibbert, how delightfully romantic! Do you mean to say you did
not guess?"
"Well, there was a something, there certainly was a something--you can
see it in the face, can't you?--something so--so--"
"_So_ distinguished. Exactly!"
"Hibbert?" growled at his elbow.
"Ah, here's Everitt himself; I'll make you over to him," said the
unabashed young man, with a laugh. "I give you warning, though, that he
hates romance. If you listen to him he'll deny that there's a word of
truth in any of my stories."
Later on Everitt fell upon him.
"You unprincipled young dog, what do you mean by uttering such a farrago
of nonsense? You'll be bringing all the scandal-mongers of London down
on my head. A duke's daughter disguised as a model! I should like to
know where your impudence will lead you!"
"Oh, it was the duke's daughter which made it all right. Mr Smith will
want to buy that picture, you'll see. Hallo!"
Everitt's brow relaxed; he burst into a laugh, as the parrot, which Jack
had been teasing, made a successful dive at his finger and seized it.
Just at this moment the studio bell rang.
"Another! I'm off!" cried Jack, jumping up from his chair. Everitt
himself looked anything but pleased; he flung his cigarette down with an
exclamation of annoyance, and went to the door, while Jack made his
escape by another exit behind an elaborate Japanese screen. It was past
the time for visitors, and the foremost of the two new-comers made haste
to apologise. She was a pretty woman, and a favourite cousin of
Everitt's, so that there was some excuse for her intrusion.
"Yes, I know exactly what you said when you heard the bell," she said
smiling. "Was Mr Hibbert with you as usual, and did he run away? I am
sorry for that, because I like Mr Hibbert."
"Did you come here to tell me so? And now that you are here, won't you
sit down?" questioned Everitt in his turn, putting forward a couple of
chairs, and clearing away a few motley bits of drapery.
"No," said Mrs Marchmont; "I had two much better reasons. One was that
I might bring Miss Aitcheson here. She has come up to London with an
ingenuous mind which takes the most reverential attitude in the world
towards art. I am trotting out all my lions for her benefit, and you
are the biggest. Please show her something, and roar nicely."
"I had better," he said, "since there is nothing else I can do. Don't
you know that this is the empty time at all the studios?"
Public-domain text, read in full here on John Shaqi.
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