England -- Social life and customs -- 19th century -- Fiction; Love stories; Man-woman relationships -- Fiction; Painters -- Fiction
"Oh, never mind. Your unconsidered trifles will be gratefully
appreciated. Look, Bell; don't you like that face?"
"That's my duke's daughter," said Everitt with a laugh. And he told
them the story of Jack's romance.
Miss Aitcheson did not say much. Everitt privately thought her rather
uninteresting. She was tall and fair and slender, with light brown
hair, a small head, and a very quiet manner, whether due to shyness or
reserve or dulness he could not tell; nor, indeed, did he give himself
the trouble to investigate very closely. He directed his attention to
his cousin, Mrs Marchmont; and she was a sufficiently lively little
person to have no objection to its monopoly. Meanwhile Miss Aitcheson
wandered about, looking as she liked--at faded hangings, and ancient
Indian rugs of fabulously fine needlework, and pictures in frames and
out of them, and the parrot in his cage, and odd bits of a painter's
property. In this fashion she enjoyed the studio a hundred times more
than if she had been called upon at every moment to remark on its
contents; and certainly the painter and Mrs Marchmont were doing very
well without her. But presently their conversation touched on some
subject which evidently interested her: for she drew nearer to hear it
discussed, although still examining a Roman sketch which she held in her
hands.
"Don't look so miserable, Charlie, but promise that you'll do it for
her. In fact, I _have_ promised. Why, of course you know all the
models in London."
"I don't. I hate London models."
"Well," said Mrs Marchmont with swift inconsequence, "I don't suppose
you expect a young girl to prowl about those places where they live?"
Everitt shrugged his shoulders. "What is it to me?"
"Charlie," repeated his cousin, with a kind of shocked disappointment in
her voice, "if you will not take such an absurd fraction of trouble when
I ask you--"
"My dear Mary," he said, turning quickly, "if you ask me on your own
account--"
"Of course I do. I ask it as a very personal favour. If you knew Kitty
Lascelles, it would be unnecessary to put it on that ground," returned
Mrs Marchmont, still keeping up a little air of dignity.
"I apologise a hundred times. What is it that Miss Lascelles wants?"
"A model--an Italian model."
"Man or woman?"
"Man."
"_Contadino_, broad hat, long cloak--the stock production, I suppose?"
"I suppose so," she said, looking at him doubtfully.
"All young ladies like that style of thing."
"Don't be overbearing. Miss Lascelles is an excellent artist. Her
father is one of the staff at the Military Hospital, and has fitted up a
studio for her, where she works with--a friend," she added, with an
imperceptible glance at Miss Aitcheson. "It is the most delightful
old-world place you can imagine. Shall I drive you there some day?"
"Thank you; you are very good," he said hastily, "but you must remember
that I am not an idle man. Besides, it is quite unnecessary; I am doing
this for you."
Public-domain text, read in full here on John Shaqi.
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