England -- Social life and customs -- 19th century -- Fiction; Love stories; Man-woman relationships -- Fiction; Painters -- Fiction
Whatever it was to which Everitt had made up his mind--and, as has been
already hinted, he was at times the victim of freaks which laid his
character open to the charge of inconsistency--he lost no time in
carrying it out. His first act was to lock his doors, his second to go
to a sort of cupboard where some half a dozen costumes were hanging, and
to proceed to attire himself in one which belonged to the typical
Italian at whom he had mocked; for it was one of his fancies to have a
very complete set of these costumes, and his brother artists were not
slow to avail themselves of his stores and his good-nature. Having
fallen in with the fancy which suggested his present action, he was not
the man to hesitate in the doing. He dressed himself rapidly, but with
a care which descended to the smallest details, took down an old faded
blue-green cloak, which had sunned itself often on the Trinita steps,
and inspected himself closely in a looking-glass. On the whole, he
thought it satisfactory. In an Italian dress his face appeared Italian;
a weak point, of course, lay in his hair, which was short, but he pulled
his broad hat over his forehead, and corked his eyebrows to a more
generous breadth. He had no fear whatever of being recognised in the
street, and as for Miss Lascelles, he assured himself that by exchanging
him for Giuseppe, she had, unquestionably, no cause for complaint. His
chief danger lay from meeting Jack Hibbert in the court, for Jack, with
his investigating mind, was tolerably sure to overhaul an unknown model,
and though in that case Everitt had resolved to take him into his
confidence, it must be owned he shrank a little from the fun Jack was
sure to get out of the affair.
Public-domain text, read in full here on John Shaqi.
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