England -- Social life and customs -- 19th century -- Fiction; Love stories; Man-woman relationships -- Fiction; Painters -- Fiction
However, he was not going to retreat; he was beginning to feel a keen
interest in his own adventures. Opening the second door, which served
for models and intimate friends, he took a glance round the court, and,
finding it empty, hastily locked his door, and stepped out into the
shadow of the trees. He was in luck, for no one was hanging about, and
the next minute he was in the street. The plunge gave him, it must be
owned, an odd sensation, the more so when he saw that he was only just
in time, for Jack was on the other side of the street in the act of
crossing, Everitt strode on quickly. He fancied himself the centre of
all eyes, but after a time this feeling wore off. The people who
glanced at him only saw a model on his way to a studio, a picturesque
figure in the midst of unlovely things; the children stared as they
would have stared at a man with a monkey, or any other show; there was
nothing in him to attract unusual notice. But he felt so unusual
himself, that it took him some time to make sure of this. Then, the
awkwardness wearing off, his spirits rose. He found the situation
amusing. He rather wished to meet some one whom he knew that he might
test his disguises to the utmost. It was a beautiful morning, and there
was a novelty in the impossibility of shocking probabilities by calling
a hansom, which in itself was absolutely exhilarating.
When he reached the Hospital his pleasure increased. It was too early
in the day for many of the old men to be out sunning themselves, but he
became immediately aware of the peaceful and old-world atmosphere which
hung about the place. A morning breeze was blowing up the river, and
delicate white clouds sailed across the sky. In the midst of its trees
lay the Hospital, warm red brick, with white pointings and grey stone
pillars, on which the sunshine rested softly mellow; with its broad
frontage of green turf, and its iron gates, and its little graveyard,
where lie the old heroes waiting for the "last trumpet's sounding."
Everitt had not been there for years; it seemed to him almost as if he
had never been before--as if all those years he had lost something.
When one or two old men, in long blue coats and brass buttons, and broad
three-cornered hats, strolled out of the side gates and stared at him,
he felt as if the picture were complete, except that he began to hate
himself for being the incongruous feature.
Public-domain text, read in full here on John Shaqi.
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