Ukrainian literature : $b Studies of the leading authors — John Shaqi
Ukrainian literature : $b Studies of the leading authorsManning, Clarence Augustus
History
Ukrainian literature : $b Studies of the leading authors
Manning, Clarence Augustus
Ukrainian literature -- History and criticism
The religious attitude of the authors is also very different. Vergil
believed or pretended to believe in the gods of Rome. He had to
maintain the proper attitude of piety to the state. Kotlyarevsky treats
them as brawling and unidealistic beings, very human individuals with
all the vices of the Kozaks and little of their human virtues. Thus
Juno, the tutelary deity of the Latins and the implacable foe of Troy,
becomes a very ill-tempered _baba_ and she is described accordingly.
The gods who drink their fill and beyond are ordinary mortals. In this
there is a great deal of the scepticism of Voltaire and the criticism
of paganism by the older Christian tradition that believed in the evil
character of paganism, perhaps even more than a deliberate satire on
the rulers of Moscow with their almost divine pretensions as is thought
by Yefremiv (Istoriya Ukrainskoho Pis’mentsva Vol. I, p. 361). We can
never forget that Kotlyarevsky was an Orthodox Christian, writing
for his coreligionists and that they had been taught that the pagan
gods were either non-existent or evil and hence not deserving of a
respectful treatment.
It is not so often noted that the _Aeneid_ of Vergil is not the
only source of Kotlyarevsky’s poem. He undoubtedly knew his Homer,
especially the _Odyssey_, and the gods of the _Eneida_ are often human
in a manner similar to those of the Greek poet, although there is not
the same naivete in their description and Kotlyarevsky does not feel
the need of making them superhuman with the human virtues and vices
raised to a high degree. The Greek influence can be clearly seen, for
the poet perhaps for metrical reasons is far more apt to name the ruler
of the gods Zeves (Zeus) than Jupiter, the regular form in Vergil.
There is also a deliberate slurring over of supernatural incidents. The
miraculous plays very little role except in the transformation of the
ships of Aeneas into swans. Kotlyarevsky follows Vergil in passing over
lightly the episode of Polyphemus but he cannot resist the temptation
to bring Aeneas close enough to Circe’s Isle to see the animals into
which her different victims have been changed. Thus the Poles have
become rams, the bearded Muscovites goats, and the Prussians foxes.
He does not hesitate to depart from Vergil in the account of the visit
to the underworld. He definitely says so himself:
For Vergil, may he reign forever,
Was always wise, as we well know.
We would not harm him now or ever
But he lived many years ago.
Besides in hell conditions differ
From what they were when he looked thither.
And when the long departed wrote.
I now will give the present story,
Will change, omit some details hoary,
And from my elders I will quote. (III, 42)
So he includes in hell all those who have transgressed the Kozak spirit
and code and all who are working in this world to make unbearable the
lot of the poor people.
Public-domain text, read in full here on John Shaqi.
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