E-text prepared by Juliet Sutherland, Mary Meehan, and the Project
Gutenberg Online Distributed Proofreading Team (https://www.pgdp.net)
UNCLE MAX
by
ROSA NOUCHETTE CAREY
Author of 'Nellie's Memories,' 'Wee Wifie,' 'Robert Ord's Atonement,'
etc.
1894
CONTENTS
I. Out of the Mist
II. Behind the Bars
III. Cinderella
IV. Uncle Max Breaks The Ice
V. 'When The Cat Is Away'
VI. The White Cottage
VII. Giles Hamilton, Esq
VIII. New Brooms Sweep Clean
IX. The Flag of Truce
X. A Difficult Patient
XI. One of God's Heroines
XII. A Missed Vocation
XIII. Lady Betty
XIV. Lady Betty Leaves Her Muff
XV. Up At Gladwyn
XVI. Gladys
XVII. 'Why Not Trust Me, Max?'
XVIII. Miss Hamilton's Little Scholar
XIX. The Picture In Gladys's Room
XX. Eric
XXI. 'I Ran Away, Then!'
XXII. 'They Have Blackened His Memory Falsely'
XXIII. The Mystery at Gladwyn
XXIV. 'Weeping may endure for a Night'
XXV. 'There is no one like Donald'
XXVI. I hear about Captain Hamilton
XXVII. Max opens his Heart
XXVIII. Crossing the River
XXIX. Miss Darrell has a Headache
XXX. With Timbrels and Dances
XXXI. Wedding-Chimes
XXXII. A Fiery Ordeal
XXXIII. Jack Poynter
XXXIV. I communicate with Joe Muggins
XXXV. Nightingales and Roses
XXXVI. Breakers Ahead
XXXVII. 'I claim that Promise, Ursula'
XXXVIII. In the Turret-Room
XXXIX. Whitefoot is saddled
XL. The Talk in the Gloaming
XLI. 'At five o'clock in the Morning'
XLII. Down the Pemberley Road
XLIII. 'Conspiracy Corner'
XLIV. Leah's Confession
XLV. 'This Home is yours no longer'
XLVI. Nap barks in the Stable-yard
XLVII. At last, Ursula, at last!'
XLVIII. 'What o' the Way to the End?'
CHAPTER I
OUT OF THE MIST
It appears to me, looking back over a past experience, that certain days
in one's life stand out prominently as landmarks, when we arrive at some
finger-post pointing out the road that we should follow.
We come out of some deep, rutty lane, where the hedgerows obscure the
prospect, and where the footsteps of some unknown passenger have left
tracks in the moist red clay. The confused tracery of green leaves
overhead seems to weave fanciful patterns against the dim blue of the
sky; the very air is low-pitched and oppressive. All at once we find
ourselves in an open space; the free winds of heaven are blowing over us;
there are four roads meeting; the finger-post points silently, 'This way
to such a place'; we can take our choice, counting the mile-stones rather
wearily as we pass them. The road may be a little tedious, the stones may
hurt our feet; but if it be the right road it will bring us to our
destination.
Public-domain text, read in full here on John Shaqi.
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