World War, 1914-1918 -- Personal narratives, French
He disappears, swallowed up in the darkness. We wait. It rains harder
and harder. The water runs in rivulets on our shoulders, trickles down
our necks, soaks our shirts. From time to time we shake ourselves like
wet spaniels. There is nothing to do but wait. It would not do to
seek shelter. Besides, there is no shelter. When one is a sentinel in
full campaign, one must accept the weather as it comes. If it is fine,
so much the better; if it is frightful, too bad! It is impossible to
provide comforts, or conveniences. If the sun burns you or the rain
soaks you, if the heat roasts you or the cold freezes you, it is all
the same. The strong resist it, the weak succumb: so much the worse!
One is there to suffer, to endure, to hold his position. If one falls,
his place is filled. So long as there are men, the barrier is raised
and put in opposition to the enemy. “_C’est la guerre._” That is war:
a condition in which only the robust man may survive; where everything
unites madly to destroy, to obliterate him, where he must fight at the
same time his adversaries and the elements which seem to play with him
as the breeze plays with the leaf on the tree.
However, the night was advancing. The Great Bear, intermittently
visible between the clouds, had already gone down in the sky, and we
were still there. The crowd still surged on, as dense as ever. The
people came from every quarter. Very few were gathered into groups.
Here and there some worn-out soldiers were seen, who asked information
and vanished in haste. In the background of the dark picture of the
night were the burning villages and towns, but their flames were
subsiding, their ruddy glow was waning. The fires seemed to have
reached the end of their food, exhausted by a night of violence. Sudden
puffs of sparks rising with the smoke already foretold their extinction.
Berthet, my comrade, was pale in the twilight dawn. “You have had
enough of it?” I say to him. “Oh! no,” he responds, “it is nothing but
nervousness.”
The most critical moment was approaching: the dawning of day, that
troubled moment when fatigue crushes the shoulders of the most valiant,
when the vision confuses distances and blurs objects, when all one’s
surroundings take on a strange, uncanny appearance. Dawn, lustreless
and gray, the dawn of a day of rain, rising sulkily, drippingly, coming
pale and wan to meet men broken by an anxious vigil, is not a pleasing
fairy, is not the divine Aurora with fingers of light; and yet, it
brings solace. With its coming the vision is extended; it pierces the
fog, identifies the near-by hedge, the twisted birch, the neighboring
knoll of ground. Day breaks. The shadows disappear, objects regain
their natural aspect, and the terrors created by the night vanish.
Public-domain text, read in full here on John Shaqi.
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