It needed tenderness and humor, even that of a very young girl, to get any real human life into a home like the Bogart home. It had a stodgy gloom of its own, a solemn, gloomy importance like the Judge's step, his way of entering a room. The hall was dark, the wainscoting was dark, the ceilings were gummy with queer medallions and heavy, gemmy Georgian ornaments. Of late years there had been extra electric lights put in the hall and a fireplace added to the living-room. These things gave a little cheer, as did the brass candlesticks with the soft tawny or mellow colored candles of Sard's own choosing. There was distinguished silver in the dining-room and rows of heavenly blue and pink willow plates in the cupboards, just as there were graceful pieces of Majolica that burned their hot color into the dull respectability of the living and tea rooms, but these didn't help much. Sard often shook her head over it all. She would turn away from her mother's portrait to that of her father when a young man. The then unbearded face had a cold kind of virtue and strength, the uncovered mouth was prim and uncompromising. Could it be that Sard's home had somehow taken its color from that prim mouth, those hard gooseberry colored eyes? The girl went slowly to a mirror over the large fireplace in the living-room. She pushed into the sunlight a vase full of daffodils, the better to see her own face. "Funny! Where did you come from?" she asked the girl in the mirror, then softly, as if it were almost shameful to ask this question, "What are your laws?" The dark brown eyes looked wistfully at Sard; the forehead, a little high but square and harmonious, was swept with a wave of golden brown hair that crisped with vitality. The face seemed not interesting to the girl who questioned it. "If I had more of Mother I could do things with Father," she thought; "if I had little curls and earrings that shook, and dimples and queer little pudgy, patting hands. These do things to men--and women, too. I've seen it happen."