This weariness of contention is the chief element of their torture; so marked by the beautiful lines, beginning, Or puoi, figliuol, etc. (but the usurers, who made their money inactively, sit on the sand, equally without rest, however, "Di qua, di la soccorrien," etc.). For it is not avarice but contention for riches, leading to this double misuse of them, which, in Dante's sight, is the unredeemable sin. The place of its punishment is guarded by Plutus, "the great enemy," and "la fiera crudele," a spirit quite different from the Greek Plutus, who, though old and blind, is not cruel, and is curable, so as to become far-sighted ([Greek: hou typhlos all' oxy blepon]--Plato's epithets in first book of the Laws). Still more does this Dantesque type differ from the resplendent Plutus of Goethe in the second part of "Faust," who is the personified power of wealth for good or evil; not the passion for wealth; and again from the Plutus of Spenser, who is the passion of mere aggregation. Dante's Plutus is specially and definitely the spirit of Contention and Competition, or Evil Commerce; and because, as I showed in my last paper, this kind of commerce "makes all men strangers," his speech is unintelligible, and no single soul of all those ruined by him has recognizable features. (La sconescente vita-- Ad ogni conoscenza or li fa bruni). On the other hand, the redeemable sins of avarice and prodigality are, in Dante's sight, those which are without deliberate or calculated operation. The lust, or lavishness, of riches can be purged, so long as there has been no servile consistency of dispute and competition for them. The sin is spoken of as that of degradation by the love of earth; it is purified by deeper humiliation--the souls crawl on their bellies; their chant, "my soul cleaveth unto the dust." But the spirits here condemned are all recognizable, and even the worst examples of the thirst for gold, which they are compelled to tell the histories of during the night, are of men swept by the passion of avarice into violent crime, but not sold to its steady work. The precept given to each of these spirits for its deliverance is--Turn thine eyes to the lucre (lure) which the Eternal King rolls with the mighty wheels: otherwise, the wheels of the "Greater Fortune," of which the constellation is ascending when Dante's dream begins. Compare George Herbert,-- "Lift up thy head; Take stars for money; stars, not to be told By any art, yet to be purchased."