“But that 's nonsense,” interrupted Aimée. “And, as Dolly says, nonsense
won't do now. But,” with a quaint sigh, “we always _do_ talk nonsense.”
But here a slight diversion was created. Mrs. Phil jumped up, with
an exclamation of delight, and, dropping Tod on to Mollie's lap,
disappeared through the open door.
“I will be back in a minute,” she called back to them, as she ran
up-stairs. “I have just thought of something.”
“Girls,” said Mollie, “it's her white merino.”
And so it was. In a few minutes she reappeared with it,--a heap of soft
white folds in her arms, and a yard or so of the train dragging after
her upon the carpet,--the one presentable relic of a once inconsistently
elaborate bridal trousseau, at present in a rather tumbled and rolled-up
condition, but still white and soft and thick, and open to unlimited
improvement.
“I had forgotten all about it,” she said, triumphantly. “I have never
needed it at all, and I knew I never should when I bought it, but it
looked so nice when I saw it that I could n't help buying it. I once
thought of cutting it up into things for Tod; but it seems to me, Dolly,
it 's what you want exactly, and Tod can trust to Providence,--things
always come somehow.”
It was quite characteristic of Vagabondia that there should be more
rejoicing over this one stray sheep of good luck than there would have
been over any ninety and nine in the ordinary folds of more prosperous
people. And Mrs. Phil rejoiced as heartily as the rest. It was her turn
now, and she was as ready to sacrifice her white merino on the shrine
of the household impecuniosity as she would be to borrow Dolly's best
bonnet, or Mollie's shoes, or Aimée's gloves, when occasion demanded
such a course. So the merino was laid upon the table, and the council
rose to examine, comment, and suggest.
“A train,” said Dolly, concisely; “no trimming, and swan's-down. Even
the Bilberry could n't complain of that, I 'm sure.”
Mollie, resting her smooth white elbows on the table in a comfortably
lounging posture, regarded the garment with great longing in her drowsy
brown eyes.
“I wish it was white satin,” she observed, somewhat irrelevantly, “and
I was going to wear it at a real ball, with real lace, you know, and a
court train, and flowers, and a fan.”
Dolly looked down at her handsome childish face good-naturedly. She
was such an incongruous mixture of beauty and utter simplicity, this
easy-going baby of sixteen, that Dolly could not have helped liking her
heartily under any circumstances, even supposing there had been no tie
of relationship between them.
“I wish it was white satin and you were going to wear it,” she said.
“White satin is just the sort of thing for you, Mollie. Never mind, wait
until the figurative ship comes in.”
“And in the interval,” suggested Aimée, “put a stitch or so in that
wrapper of yours. It has been torn for a week now, and Tod tumbles over
it half a dozen times every morning before breakfast.”
Public-domain text, read in full here on John Shaqi.
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