Mollie cast her eyes over her shoulder to give it an indifferent glance
as it rested on the faded carpet behind her.
“I wish Lady Augusta would mend things before she sends them to us,” she
said, with sublime _naïveté_, and then, at the burst of laughter which
greeted her words, she stopped short, staring at the highly entertained
circle with widely opened, innocent eyes. “What are you laughing at?”
she said. “I 'm sure she might. She is always preaching about liking to
have something to occupy her time, and it would be far more charitable
of her to spend her time in that way than in persistently going into
poor houses where the people don't want her, and reading tracts to them
that they don't want to hear.”
Dolly's appreciation of the audacity of the idea reached a climax in an
actual shriek of delight.
“If I had five pounds, which I have not, and never shall have,” she
said, “I would freely give it just to see Lady Augusta hear you say
that, my dear. Five pounds! I would give ten--twenty--fifty, if need be.
It would be such an exquisite joke.”
But Mollie did not regard the matter in this light. To her
unsophisticated mind Lady Augusta represented nothing more than
periodical boredom in the shape of occasional calls, usually made
unexpectedly, when the house was at its worst, and nobody was especially
tidy,--calls invariably enlivened by severe comments upon the evil
propensities of poor relations in general, and the shocking lack of
respectability in this branch of the order in particular. Worldly wisdom
was not a family trait, Dolly's half-whimsical assumption of it being
the only symptom of the existence of such a gift, and Mollie was the
most sublimely thoughtless of the lot. Mrs. Phil had never been guilty
of a discreet act in her life. Phil himself regarded consequences less
than he regarded anything else, and Aimée's childish staidness and
forethought had certainly not an atom of worldliness in it. Accordingly,
Dolly was left to battle with society, and now and then, it must be
admitted, the result of her brisk affrays did her no small credit.
For a very short space of time the merino was being disposed of to an
advantage; Dolly seating herself in her chair again to renovate the
skirt; Aimée unpicking the bodice, and Mollie looking on with occasional
comments.
“Here is Griffith,” she said, at last, glancing over her shoulder at
a figure passing the window; and the next minute the door was opened
without ceremony, and “Grif” made his appearance upon the scene.
Public-domain text, read in full here on John Shaqi.
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