Vagabonds of the sea : $b The campaign of a French cruiser — John Shaqi
Vagabonds of the sea : $b The campaign of a French cruiserLarrouy, Maurice
History
Vagabonds of the sea : $b The campaign of a French cruiser
Larrouy, Maurice
Waldeck-Rousseau (Cruiser); World War, 1914-1918 -- Personal narratives, French
This formula is pronounced in English, Spanish, Italian or French.
Grammar sometimes suffers, but not all the world is polyglot. When the
visiting officer has exhausted all his vocabularies without anyone’s
understanding him, he contents himself with a gesture, reinforced by a
contraction of his brows in the direction of his revolver. Thereupon
intelligence comes to the most obtuse. A little procession forms.
The captain looking important, the officer severe, the commissary
obsequious, the sailor escort bringing up the rear; by means of the
passage and stairs these four actors in the little drama reach the
navigation room, where are kept the regulation papers. The more
luxurious liners sometimes set a table with cigars and liqueurs in the
first cabin. Such an attention arouses double suspicion.
The passengers line up along the deck. This episode makes a pleasant
interruption in the monotony of the voyage, and gives their pacific
minds a slight shuddering taste of the great war. Every man begins to
feel like a hero, and to invent a tale which will astonish his future
hearers. The men search the face of the French officer, but read little
on this cold mask. The women, bolder, solicit his glances, his smile,
press themselves on his attention. “Vive la France!” cries one. “He has
a real revolver!” whispers another, shuddering. “Stop, officer, and let
me photograph you!” begs a third.
The visiting officer does not reply, does not stop, but hastens on his
mission. In his register he consults the original of all the documents
he has warrant to verify; text, stamps, signatures are exactly
reproduced, and not one word of the ship’s papers must differ from the
original. If they are in Arabic, Norwegian or Japanese, the officer’s
pencil compares them line by line. In curt phrases he approves or
objects.
The civil status of the ship seems correct; its name, its country,
its record, reveal nothing ambiguous. The captain is then questioned.
Whence has he come, where is he going, and where has he stopped? What
are the owners’ orders? The chart and the log, the dates and hours
of calls at ports, certified by the official authorities, are all
verified. The slightest inaccuracy requires explanations, proofs. In
such times as these, all movements at sea must be above suspicion, and
the least evasion renders one suspect. To help his captain the ship’s
commissary bustles about, pours a glass of liqueur, uncorks a bottle of
champagne, introduces a foaming glass between two incisive questions.
But the French officer courteously waves aside these seductions.
Public-domain text, read in full here on John Shaqi.
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