Vagabonds of the sea : $b The campaign of a French cruiserLarrouy, Maurice
History
Vagabonds of the sea : $b The campaign of a French cruiser
Larrouy, Maurice
Waldeck-Rousseau (Cruiser); World War, 1914-1918 -- Personal narratives, French
Women, stewards and waiters scatter through the cabins, which suddenly
fill with commotion. In the midst of a chorus of exclamations, of
murmurs and laughs, feverish fingers ransack writing cases and bags;
travelers with good consciences easily discover what they need; the
women adjust their hair, hastily powder a suspicion of tan on their
faces, and with a turn of their hand put all the details of their
toilette in order. They are tremendously entertained. It’s like a
real play! For a very little more they would put on their prettiest
gowns.... But the officer is in a hurry, and the captain excuses
himself: one passenger cannot lay his hand on his passports, which he
has certainly shut up in a trunk. Exactly! The story is well-known!
That bird from Germany must be held.
Everyone lines up in two or more rows. Irresistibly, an order rises to
the lips of the visiting officer--“Right dress! Eyes front!” But no,
these passengers are not soldiers. And now the task is to keep in line
this fat lady in a rather short skirt, who inserts herself between an
asthmatic youth and a rugged American. Let us stifle our laughter! The
lines sway, somewhere at the back a boy sneezes, two Brazilians or
Argentinians burst into shameless laughter, a huge negro trembles with
fear. The officer passes on his inspection.
Like a row of blind people holding out their wooden bowls, everyone
carries his passport in his hand. The men are extremely grave, almost
indignant, and one can imagine the silent perturbation behind their
brows. They lie in wait for an imprudent word in order that they may
at once invoke their counsel, their ambassador, and the unwritten
laws of neutrals. Vain hope! The officer looks them over swiftly, and
opens their papers with a scrupulous touch. Stamps and signatures
are correct, the descriptions too; the passports, the certificate of
nationality, have no taint of fraud. But no touchstone is worth so much
as that of speech: to expert ears a few words, a few phrases, reveal
many secrets, and a hesitating manner accuses where the documents
acquit.
“Kindly tell me where you come from.... Kindly tell me your name and
the date of your birth.... Did you leave your country some time ago?
Kindly answer me in your own language.... What is your profession?”
One has to question closely and in various ways, and keep oneself from
getting into dialogues. There is never a discussion; an immediate
judgment, and we go on.
Compatriots, Russians, English, undergo the questioning. They are
cheerful and anxious to chat.
“In too much of a hurry, my friend!... A handshake and bon voyage!...
The last news from the wireless?... Everything goes well, very well!”
Click! Click! Right and left, the kodaks are at work. Who will ever
count the albums in which playful passengers have put their naval
inspection? They imagine they have not been seen, but their faces,
suddenly serious, and their air of having touched nothing, betray their
crime.
Public-domain text, read in full here on John Shaqi.
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