American fiction -- 20th century; Short stories, American
“I find it very hard to tell. I don’t think I can tell you it all.”
“I don’t see why you should have come at all, unless you are going to
tell me everything there is to tell. But if you’ve really funked it, I
don’t care, you know.” Thus Peter, maintaining his bravado.
“You don’t help me out.” The blue eyes rested on him critically. “But I
suppose it’s not your fault. Since you don’t know anything about
anything----”
“I can’t give you a leg up. No.”
She frowned a little, as if troubled by his phrasing, but resigned
herself to it. “No; you can’t give me a leg up.”
“I say--” He leaned forward with a sudden impulse. “Why don’t I go back
with you? Or come out later? Lots of people going to Tahiti now, you
know, since they’ve exhausted the Spanish Main. Plenty of attractions:
drives round the island, perfect scenery, native customs on tap--ordeal
by fire and hot stones. It’s in the advertisements along with the rates
and sailings. No reason why I shouldn’t come.”
She had drawn back while he spoke with a perfectly obvious terror. With
parted lips, and coiled hair, and her very blood (it seemed) turned
white, she looked like Greek tragic masks that he had seen in museums.
These he had always thought grinning prevarications; now, he
acknowledged their authenticity. His jauntiness faded into a stare. Then
she pulled herself together, as Peter would have said, by slow,
difficult degrees, like a kaleidoscope turned too slowly--pitiful to
see.
“No, Peter, you must never come to Tahiti. He--he couldn’t bear it.”
“He?”
“Your father.”
“Oh--my father.” His imagination had not yet evoked his father. “I had
forgotten him, for the moment.”
“Forgotten him! What extraordinary things you say!”
“Well, why shouldn’t I forget him? He hasn’t even taken the trouble to
spend twenty-four hours in America to make my acquaintance.” Something
acrid _had_ risen in the cup, and Peter’s lips were bitter.
Her white fingers moved again to the folds of her veil, as if the frail
mesh weighed intolerably upon her brows.
“If you forget him, of course I can never explain. He is all there is.”
She indulged then in an appraising glance. “You look kind and good. I
didn’t think you would be undutiful.”
Undutiful! It was her turn to introduce an unfamiliar vocabulary.
“Undutiful!” Peter repeated. “What do you mean? That I’m expected to be
grateful to him for being my father?”
She smiled. She lifted her hands. She all but applauded him. “Yes, just
that!”
Peter stared. He had two favorite words with which to describe the
legitimately surprising. One of them was “rum.” But such an idea as this
called for the other. It was--positively--“rococo.”
Public-domain text, read in full here on John Shaqi.
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