Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873Ruskin, John
History
Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873
Ruskin, John
Art -- Italy -- Tuscany
What Charlemagne, Barbarossa, or Saladin did to teach her, you can trace
only by carefullest thought. But in this thirteenth century all these
three powers are adverse to her, as to each other. Map the methods of
their adversity thus:---
51. Germany, (profane chivalry,) is vitally adverse to the Popes;
endeavouring to establish imperial and knightly power against theirs. It
is fiercely, but frankly, covetous of Italian territory, seizes all it
can of Lombardy and Calabria, and with any help procurable either from
robber Christians or robber Saracens, strives, in an awkward manner, and
by open force, to make itself master of Rome, and all Italy.
52. France, all surge and foam of pious chivalry, lifts herself in
fitful rage of devotion, of avarice, and of pride. She is the natural
ally of the church; makes her own monks the proudest of the Popes;
raises Avignon into another Rome; prays and pillages insatiably; pipes
pastoral songs of innocence, and invents grotesque variations of crime;
gives grace to the rudeness of England, and venom to the cunning of
Italy. She is a chimera among nations, and one knows not whether to
admire most the valour of Guiscard, the virtue of St. Louis or the
villany of his brother.
53. The Eastern powers--Greek, Israelite, Saracen--are at once the
enemies of the Western, their prey, and their tutors.
They bring them methods of ornament and of merchandise, and stimulate in
them the worst conditions of pugnacity, bigotry, and rapine. That is
the broad geographical and political relation of races. Next, you must
consider the conditions of their time.
54. I told you, in my second lecture on Engraving, that before the
twelfth century the nations were too savage to be Christian, and after
the fifteenth too carnal to be Christian.
The delicacy of sensation and refinements of imagination necessary to
understand Christianity belong to the mid period when men risen from a
life of brutal hardship are not yet fallen to one of brutal luxury. You
can neither comprehend the character of Christ while you are chopping
flints for tools, and gnawing raw bones for food; nor when you have
ceased to do anything with either tools or hands, and dine on gilded
capons. In Dante's lines, beginning
"I saw Bellincion Berti walk abroad
In leathern girdle, with a clasp of bone,"
you have the expression of his sense of the increasing luxury of the
age, already sapping its faith. But when Bellincion Berti walked abroad
in skins not yet made into leather, and with the bones of his dinner in
a heap at his door, instead of being cut into girdle clasps, he was just
as far from capacity of being a Christian.
55. The following passage, from Carlyle's "Chartism," expresses better
than any one else has done, or is likely to do it, the nature of this
Christian era, (extending from the twelfth to the sixteenth century,) in
England,--the like being entirely true of it elsewhere:--
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account