Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873Ruskin, John
History
Val d'Arno: Ten Lectures on the Tuscan Art Directly Antecedent to the Florentine Year of Victories; Given Before the University of Oxford in Michaelmas Term, 1873
Ruskin, John
Art -- Italy -- Tuscany
46. 'When it is needful.' Yes; but when is that? If instead of the
towers of the Death-watch in the city, one could ruin the towers of the
Death-watch of evil pride and evil treasure in men's hearts, there would
be need enough for such work both in Florence and London. But the walls
of those spiritual towers have still stronger 'grip' in them, and are
fireproof with a vengeance.
"Le mure me parean die ferro fosse,
. . . e el mi dixe, il fuoco eterno
Chentro laffoca, le dimostra rosse."
But the towers in Florence, shattered to fragments by this ingenious
engineer, and the tombs in Perugia, which his son will carve, only
that they also may be so well destroyed that only a few relics remain,
scattered up and down the church,--are these, also, only the iron
towers, and the red-hot tombs, of the city of Dis?
Let us see.
47. In order to understand the relation of the tradesmen and working
men, including eminently the artist, to the general life of the
thirteenth century, I must lay before you the clearest elementary charts
I can of the course which the fates of Italy were now appointing for
her.
My first chart must be geographical. I want you to have a clearly
dissected and closely fitted notion of the natural boundaries of her
states, and their relations to surrounding ones. Lay hold first, firmly,
of your conception of the valleys of the Po and the Arno, running
counter to each other--opening east and opening west,--Venice at the end
of the one, Pisa at the end of the other.
48. These two valleys--the hearts of Lombardy and Etruria--virtually
contain the life of Italy. They are entirely different in character:
Lombardy, essentially luxurious and worldly, at this time rude in art,
but active; Etruria, religious, intensely imaginative, and inheriting
refined forms of art from before the days of Porsenna.
49. South of these, in mid-Italy, you have Romagna,--the valley of
the Tiber. In that valley, decayed Rome, with her lust of empire
inextinguishable;--no inheritance of imaginative art, nor power of it;
dragging her own ruins hourly into more fantastic ruin, and defiling her
faith hourly with more fantastic guilt.
South of Romagna, you have the kingdoms of Calabria and Sicily,---Magna
Graecia, and Syracuse, in decay;----strange spiritual fire from the
Saracenic east still lighting the volcanic land, itself laid all in
ashes.
50. Conceive Italy then always in these four masses: Lombardy, Etruria,
Romagna, Calabria.
Now she has three great external powers to deal with: the western,
France--the northern, Germany--the eastern, Arabia. On her right the
Frank; on her left the Saracen; above her, the Teuton. And roughly, the
French are a religious chivalry; the Germans a profane chivalry; the
Saracens an infidel chivalry. What is best of each is benefiting Italy;
what is worst, afflicting her. And in the time we are occupied with, all
are afflicting her.
Public-domain text, read in full here on John Shaqi.
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