Lady Atalanta had left off fidgeting with the lamp. Her big blue eyes
had all at once brightened with tears which did not fall; but as she
spoke the last words, in a voice suddenly husky, she looked down at
Marion with an odd smile, tearing a paper spill with her large,
well-shaped fingers as she did so.
"Do you see?" she added, with that half-contemptuous smile, calmly
mopping her eyes. "That's how it is, Mr. Marion."
A sudden light illuminated Marion's mind; a light, and with it something
else, he knew not what, something akin to music, to perfume, beautiful,
delightful, but solemn. He was aware of being moved, horribly grieved,
but at the same moment intensely glad; he was on the point of saying he
didn't know beforehand what, something which, however, would be all
right, natural, like the things, suddenly improvised, which one says
occasionally to children.
"My dear young lady----"
But the words did not pass Marion's lips. He remembered suddenly by what
means and in what spirit he had elicited this unexpected burst of
feeling on the part of Lady Tal. He could not let her go on, he could
not take advantage of her; he had not the courage to say: "Lady Tal, I
am a miserable cad who was prying into your feelings; I'm not fit to be
spoken to!" And with the intolerable shame at his own caddishness came
that old shrinking from any sort of spiritual contact with others.
"Quite so, quite so," he merely answered, looking at his boots and
moving that ring of his mother's up and down his watch chain. "I quite
understand. And as a matter of fact you are quite correct in your remark
about our not being always alive. Or rather we _are_ usually alive, when
we are living our humdrum little natural existence, full of nothing at
all; and during the moments when we do really seem to be alive, to be
feeling, living, we are not ourselves, but somebody else."
Marion had had no intention of making a cynical speech. He had been
aware of having behaved like a cad to Lady Tal, and in consequence,
had somehow informed Lady Tal he considered her as an impostor. He
had reacted against that first overwhelming sense of pleasure at the
discovery of the lady's much-questioned soul. Now he was prepared to
tell her that she had none.
"Yes," answered Lady Tal, lighting a cigarette over the high lamp,
"that's just it. I shall borrow that remark and put it into _Christina_.
You may use up any remark of mine, in return, you know."
She stuck out her under lip with that ugly little cynical movement which
was not even her own property, but borrowed from women more trivial than
herself like the way of carrying the elbows, and the pronunciation of
certain words: a mark of caste, as a blue triangle on one's chin or a
yellow butterfly on one's forehead might be, and not more graceful or
engaging.
Public-domain text, read in full here on John Shaqi.
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