A tall figure is standing on the ledge immediately outside the long
window. It is its finger-nails upon the glass that produces the sound
so like the hail, now that the hail has ceased. Intense fear paralysed
the limbs of that beautiful girl. That one shriek is all she can
utter—with hands clasped, a face of marble, a heart beating so wildly
in her bosom, that each moment it seems as if it would break its
confines, eyes distended and fixed upon the window, she waits, frozen
with horror. The pattering and clattering of the nails continue. No
word is spoken, and now she fancies she can trace the darker form of
that figure against the window, and she can see the long arms moving to
and fro, feeling for some mode of entrance. What strange light is that
which now gradually creeps up into the air? red and terrible—brighter
and brighter it grows. The lightning has set fire to a mill, and the
reflection of the rapidly consuming building falls upon that long
window. There can be no mistake. The figure is there, still feeling for
an entrance, and clattering against the glass with its long nails, that
appear as if the growth of many years had been untouched. She tries to
scream again but a choking sensation comes over her, and she cannot. It
is too dreadful—she tries to move—each limb seems weighed down by tons
of lead—she can but in a hoarse faint whisper cry,—
“Help—help—help—help!”
And that one word she repeats like a person in a dream. The red glare
of the fire continues. It throws up the tall gaunt figure in hideous
relief against the long window. It shows, too, upon the one portrait
that is in the chamber, and that portrait appears to fix its eyes upon
the attempting intruder, while the flickering light from the fire makes
it look fearfully life-like. A small pane of glass is broken, and the
form from without introduces a long gaunt hand, which seems utterly
destitute of flesh. The fastening is removed, and one-half of the
window, which opens like folding doors, is swung wide open upon its
hinges.
And yet now she could not scream—she could not move.
“Help!—help!—help!” was all she could say. But, oh, that look of terror
that sat upon her face, it was dreadful—a look to haunt the memory for
a life-time—a look to obtrude itself upon the happiest moments, and
turn them to bitterness.
Public-domain text, read in full here on John Shaqi.
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