The figure turns half round, and the light falls upon the face. It
is perfectly white—perfectly bloodless. The eyes look like polished
tin; the lips are drawn back, and the principal feature next to those
dreadful eyes is the teeth—the fearful looking teeth—projecting like
those of some wild animal, hideously, glaringly white, and fang-like.
It approaches the bed with a strange, gliding movement. It clashes
together the long nails that literally appear to hang from the finger
ends. No sound comes from its lips. Is she going mad—that young and
beautiful girl exposed to so much terror? she has drawn up all her
limbs; she cannot even now say help. The power of articulation is gone,
but the power of movement has returned to her; she can draw herself
slowly along to the other side of the bed from that towards which the
hideous appearance is coming.
But her eyes are fascinated. The glance of a serpent could not have
produced a greater effect upon her than did the fixed gaze of those
awful, metallic-looking eyes that were bent on her face. Crouching down
so that the gigantic height was lost, and the horrible, protruding,
white face was the most prominent object, came on the figure. What was
it?—what did it want there?—what made it look so hideous—so unlike an
inhabitant of the earth, and yet to be on it?
Now she has got to the verge of the bed, and the figure pauses. It
seemed as if when it paused she lost the power to proceed. The clothing
of the bed was now clutched in her hands with unconscious power. She
drew her breath short and thick. Her bosom heaves, and her limbs
tremble, yet she cannot withdraw her eyes from that marble-looking
face. He holds her with his glittering eye.
The storm has ceased—all is still. The winds are hushed; the church
clock proclaims the hour of one; a hissing sound comes from the throat
of the hideous being, and he raises his long, gaunt arms—the lips move.
He advances. The girl places one small foot from the bed on to the
floor. She is unconsciously dragging the clothing with her. The door
of the room is in that direction—can she reach it? Has she power to
walk?—can she withdraw her eyes from the face of the intruder, and so
break the hideous charm? God of Heaven! is it real, or some dream so
like reality as to nearly overturn the judgment for ever?
The figure has paused again, and half on the bed and half out of it
that young girl lies trembling. Her long hair streams across the
entire width of the bed. As she has slowly moved along she has left it
streaming across the pillows. The pause lasted about a minute—oh, what
an age of agony. That minute was, indeed, enough for madness to do its
full work in.
Public-domain text, read in full here on John Shaqi.
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