French fiction -- Translations into English; Historical fiction
At this moment a servant announced two notaries, accompanied by
witnesses. Bartolomeo looked fixedly at these persons, whose cold and
formal faces were grating to souls so passionately strained as those of
the three chief actors in this scene. The old man turned to his daughter
and looked at her uneasily. He saw upon her face a smile of triumph
which made him expect some shock; but, after the manner of savages,
he affected to maintain a deceitful indifference as he gazed at the
notaries with an assumed air of calm curiosity. The strangers sat down,
after being invited to do so by a gesture of the old man.
“Monsieur is, no doubt, M. le Baron di Piombo?” began the oldest of the
notaries.
Bartolomeo bowed. The notary made a slight inclination of the head,
looked at Ginevra with a sly expression, took out his snuff-box, opened
it, and slowly inhaled a pinch, as if seeking for the words with which
to open his errand; then, while uttering them, he made continual pauses
(an oratorical manoeuvre very imperfectly represented by the printer’s
dash--).
“Monsieur,” he said, “I am Monsieur Roguin, your daughter’s notary,
and we have come--my colleague and I--to fulfil the intentions
of the law and--put an end to the divisions which--appear--to
exist--between yourself and Mademoiselle, your daughter,--on the
subject--of--her--marriage with Monsieur Luigi Porta.”
This speech, pedantically delivered, probably seemed to Monsieur Roguin
so fine that his hearer could not at once understand it. He paused, and
looked at Bartolomeo with that peculiar expression of the mere business
lawyer, a mixture of servility with familiarity. Accustomed to feign
much interest in the persons with whom they deal, notaries have at last
produced upon their features a grimace of their own, which they take
on and off as an official “pallium.” This mask of benevolence, the
mechanism of which is so easy to perceive, irritated Bartolomeo to such
an extent that he was forced to collect all the powers of his reason
to prevent him from throwing Monsieur Roguin through the window. An
expression of anger ran through his wrinkles, which caused the notary to
think to himself: “I’ve produced an effect.”
Public-domain text, read in full here on John Shaqi.
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