French fiction -- Translations into English; Historical fiction
This bureaucratic decision had something blighting about it; in a few
words it contained the whole story. The hatred of the Portas and the
Piombos and their terrible passions were inscribed on this page of the
civil law as the annals of a people (contained, it may be, in one word
only,--Napoleon, Robespierre) are engraved on a tombstone. Ginevra
trembled. Like the dove on the face of the waters, having no place to
rest its feet but the ark, so Ginevra could take refuge only in the eyes
of Luigi from the cold and dreary waste around her.
The mayor assumed a stern, disapproving air, and his clerk looked up
at the couple with malicious curiosity. No marriage was ever so little
festal. Like other human beings when deprived of their accessories, it
became a simple act in itself, great only in thought.
After a few questions, to which the bride and bridegroom responded, and
a few words mumbled by the mayor, and after signing the registers, with
their witnesses, duly, Luigi and Ginevra were made one. Then the wedded
pair walked back through two lines of joyous relations who did not
belong to them, and whose only interest in their marriage was the
delay caused to their own wedding by this gloomy bridal. When, at last,
Ginevra found herself in the mayor’s court-yard, under the open sky, a
sigh escaped her breast.
“Can a lifetime of devotion and love suffice to prove my gratitude for
your courage and tenderness, my Ginevra?” said Luigi.
At these words, said with tears of joy, the bride forgot her sufferings;
for she had indeed suffered in presenting herself before the public to
obtain a happiness her parents refused to sanction.
“Why should others come between us?” she said with an artlessness of
feeling that delighted Luigi.
Public-domain text, read in full here on John Shaqi.
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