French fiction -- Translations into English; Historical fiction
Like two swimmers uniting their efforts to breast a current, these two
Corsican souls struggled courageously; but sometimes they gave way to
an apathy which resembled the sleep that precedes death. Soon they were
obliged to sell their jewels. Poverty appeared to them suddenly,--not
hideous, but plainly clothed, almost easy to endure; its voice had
nothing terrifying; with it came neither spectres, nor despair, nor
rags; but it made them lose the memory and the habits of comfort; it
dried the springs of pride. Then, before they knew it, came want,--want
in all its horror, indifferent to its rags, treading underfoot all human
sentiments.
Seven or eight months after the birth of the little Bartolomeo, it would
have been hard to see in the mother who suckled her sickly babe the
original of the beautiful portrait, the sole remaining ornament of the
squalid home. Without fire through a hard winter, the graceful outlines
of Ginevra’s figure were slowly destroyed; her cheeks grew white as
porcelain, and her eyes dulled as though the springs of life were drying
up within her. Watching her shrunken, discolored child, she felt no
suffering but for that young misery; and Luigi had no courage to smile
upon his son.
“I have wandered over Paris,” he said, one day. “I know no one; can I
ask help of strangers? Vergniaud, my old sergeant, is concerned in a
conspiracy, and they have put him in prison; besides, he has already
lent me all he could spare. As for our landlord, it is over a year since
he asked me for any rent.”
“But we are not in want,” replied Ginevra, gently, affecting calmness.
“Every hour brings some new difficulty,” continued Luigi, in a tone of
terror.
Another day Luigi took Ginevra’s pictures, her portrait, and the few
articles of furniture which they could still exist without, and sold
them for a miserable sum, which prolonged the agony of the hapless
household for a time. During these days of wretchedness Ginevra showed
the sublimity of her nature and the extent of her resignation.
Stoically she bore the strokes of misery; her strong soul held her up
against all woes; she worked with unfaltering hand beside her dying son,
performed her household duties with marvellous activity, and sufficed
for all. She was even happy, still, when she saw on Luigi’s lips a smile
of surprise at the cleanliness she produced in the one poor room where
they had taken refuge.
“Dear, I kept this bit of bread for you,” she said, one evening, when he
returned, worn-out.
“And you?”
“I? I have dined, dear Luigi; I want nothing more.”
And the tender look on her beseeching face urged him more than her words
to take the food of which she had deprived herself.
Public-domain text, read in full here on John Shaqi.
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