Art -- Italy -- Venice; Venice (Italy) -- Description and travel
stone. The soft lap of the water breaks the silence; the vaporous
mists float upwards. Across the light drifts a line of fishing boats,
their great brown sails set. A streak of flame-colour strikes on the
windows of Venice, a flush of orange and rose. Then in a second the
sun is gone, and a brief space of doubt ensues, when day hangs
trembling in the balance; then night settles on the lagoon. A hundred
bells ring out over the city, clashing and clamouring together in one
brazen peal. Soon the peal subsides. The evening breeze springs up
mild and sweet from the sea, and the soft and mellow cry of "Stali! Ah
Stali!" is heard everywhere. It is the hour when all that is poor and
unlovely melts into ethereal beauty. The water is a deep blue-black,
save for rippling trails of light from the lamps, which shine like
golden stars from the prows of the gondolas. The moon rises, nearly
full, and is veiled by hazy clouds; the outlines of the bell towers of
the palaces are pale and delicate in the soft light. The stillness of
the water streets is soothing, and the prattle of the city falls
gently on the ears.
No matter how prosaic or how unimpressionable one may be, one soon
grows into sympathy with the atmosphere of Venice. It is almost
impossible to avoid becoming sentimental as one floats in one's
gondola at night, with the twinkling stars above and the twinkling
splashes below. One almost unconsciously builds romances round the
palaces tottering to decay. Venice is always ready to charm and allure
you. It is hard to believe that somewhere there is a working, active,
busy life going on. But indeed no one in Venice seems to be in
earnest. It is as if the present time does not count, as if it were
but an echo of what passed long years ago. People work without aim or
energy, and when they suffer it seems as if they were but mumming. A
sweetness and a docility steal into one's soul, and one feels that one
can do nothing but drift on for ever in this pleasant idleness. Harsh
voices become modulated; cross-grained, querulous natures are
sweetened; even the flat-faced, spectacled tourists, when they
step from the railway station into a gondola and glide into the mystic
water city, alive with a myriad glistening lights, develop
unconsciously, and despite themselves, into delightful people.
[Illustration: A RUINED PALAZZO]
Public-domain text, read in full here on John Shaqi.
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