Art -- Italy -- Venice; Venice (Italy) -- Description and travel
On the day when I arrived in Venice, as I was wandering down a lane
beyond the Canareggio Canal, I found myself in the Jewish part of the
city. It is a fetid and pestilential place. There is about it nothing
pleasant, or wholesome, or attractive. The stonework is cracked and
rotten. The houses, streaked with dirt, bend over into the water with
the weight of years. Most of them are nine stories high, grimy and
dirty, and speckled with green spots. There is not a straight line
anywhere, and not a whole pane of glass--paper is the substitute. Now
and then one sees a patch of plaster on a house; but for the most part
the plaster has fallen away, revealing the crumbly red bricks beneath.
It gives one a sickening feeling--this terrible poverty, solitude, and
neglect. Everything is strange, sullen, mysterious. Men and women with
curved noses and eyes set like burning coals in their pale faces glide
noiselessly along with furtive glances. The children are half naked,
and play about on benches in the streets. I have seen poverty-stricken
Jewish quarters before, but never anything so sad as this. The
sordidness and terrible despair of it make one's heart ache. There are
no green fields and trees to alleviate the misery of the people. Yet,
I suppose, the condition of the Jew was worse in the old days.
Certainly the injustices and insults which once were prevalent do not
occur now. The Christian to-day is on more or less friendly terms with
the Jew. They meet one another on the exchange; they talk together,
and partake of each other's hospitality.
[Illustration: PALAZZI ON THE CANAL]
Public-domain text, read in full here on John Shaqi.
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