Art -- Italy -- Venice; Venice (Italy) -- Description and travel
But what of ancient Venice? We sometimes despair of re-creating her.
We ponder on Rialto, we watch her lights from the lagoons, we go in
and out among her calli, peering into door and courtyard, climbing an
outer stair, penetrating the recesses of sotto-portico or cellar; and
many records we find of the life which once she lived, but all belong
to the Venice of that second age, when she was already an established
city. We cannot depopulate her and see again that company of islands
gathered together in the lagoon, of various shapes and sizes, some
covered with wood and undergrowth, others rising with bare backs from
the water, with large and lonely outposts lying at greater distance
here and there. Yet now and again come days when the spirit even of
this remoter period returns to its well-nigh forgotten grave, the days
when Venice lies under the rule of the rain-clouds. The inner waterways
of the city lie dead like opaque marble under the dancing drops; but
down the ways that lead from the lagoons the wind pours strong and
restless from the sea, beating the water against the walls and into
the damp vaults, a challenge from the sea to the city, from the sea
unbridled and insurgent--yet not insurgent, for it has never submitted
to her sway. Within Venice, along the slippery streets, there is gloom
and desolation; the sun is the only visitor to whom her heart stands
ever open; she would shut her gates if she could to these wild beings
of cloud and wind, these houseless, grey pilgrims that, at no bidding
of hers, come and claim lodging with her as they take their nomad way.
I know not what of the old, wild fisher heart comes to visit Venice in
these days; phantoms of old time are borne in on the gusty winds from
the sea and the lagoon, and the commanding voice of the sea wind they
must have known so well seems to clothe them with substantial life.
Into the mist vanishes the frescoed Venice of high pomp and festival,
the Venice of regal Bucintoro and banqueting of kings, of brilliant
policy and stem civic control. A still deeper oblivion receives the
Venice of small joys and small sorrows, of Longhi and Goldoni; and the
excitement of the formless past creeps into us, when yet the future was
to make--the hard life of the first dwellers upon the islands, acute
and mobile in their hourly traffic with wind and sea.
[Illustration: ZATTERE.]
Public-domain text, read in full here on John Shaqi.
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