Art -- Italy -- Venice; Venice (Italy) -- Description and travel
For the earliest celebration of the nuptials there was need of no
golden Bucintoro, no feast of red wine and chestnuts, no damask roses
in a silver cup, not so much as a ring to seal the bond. For it was no
vaunt of sovereignty; it was a humble oblation, a prayer to the Creator
that His creature might be calm and tranquil to all who travelled over
it, an oblation to the creature that it might be pleased to assist
the gracious and pacific work of its Creator. The regal ceremony of
later times was inaugurated by the Doge Pietro Orseolo II who, having
largely increased the sea dominion of Venice and made himself lord of
the Adriatic, welded his achievement into the fabric of the state by
the ceremony of the espousal. The ring was not introduced till the year
1177, when Pope Alexander III, being present at the festival, bestowed
it on the Doge, as token of the papal sanction of the ceremony, with
the words, “Receive it as pledge of the sovereignty that you and your
successors shall maintain over the sea.” But the true importance of the
festival, whether in its primitive form or in its later elaboration, is
the development of Venetian policy which it signified--a development
which, for the purposes of this chapter, will best be considered in
relation to events separated by nearly two centuries, but united in
their acknowledgment of the growing importance of Venice on the waters.
The first is Pietro Orseolo’s Dalmatian campaign, followed in 1001
by the secret visit of the German Emperor Otho III, and the second
the famous concordat of Pope Alexander III and the Emperor Frederick
Barbarossa, concluded under the auspices of Venetian statecraft in 1177.
Public-domain text, read in full here on John Shaqi.
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