Art -- Italy -- Venice; Venice (Italy) -- Description and travel
Pietro Orseolo II appears as one of the most potent interpreters of the
Venetian spirit. He combined qualities which enabled him to gather
together the threads which the genius of Venice and the exigencies
of her position were weaving, and to fashion from them a substantial
web on which her industry might operate. He was a soldier, a great
statesman and a patriot. All the subtlety, all the ambition, all the
dreams of glory with which his potent and spacious mind was endowed,
were at his country’s service, and the material in which he had to
work was plastic to his touch. Venice lay midway between the kingdoms
of the East and West, and from the earliest times this fact had
determined her importance: she might rise to greatness or she might
be annihilated; she could not be ignored. The Venice of Orseolo was
instinct with vitality and teeming with energies, but she was divided
against herself. The foundations of her greatness were already laid,
but her general aim and tendency were not determined. She was in need
of a leader of commanding mind and capacious imagination, who could
envisage her future, and who should possess the power of inspiring
others with confidence in his dreams. Such a man was Pietro Orseolo II.
Venice had been threatened with destruction by the division of the two
interests which, interwoven, were the basis of her power. Before the
final settlement at Rialto she had been torn hither and thither by
the factions of the East and West, the party favouring Constantinople
and the party favouring the Frankish King; and at any moment still the
Doge’s policy might be wrecked by the rivalries of the two parties, if
he proved lacking in insight or capacity for uniting in his service the
interests of both.
[Illustration: RIVA DEGLI SCHIAVONI.]
Public-domain text, read in full here on John Shaqi.
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