Art -- Italy -- Venice; Venice (Italy) -- Description and travel
discovered therein a tower belonging to the Caliph full of gold and
silver and other treasure, so that there never was so much seen at
one time in one place. When Alaü beheld the great heap of treasure,
he was amazed and sent for the Caliph into his presence and asked him
why he had amassed so great a treasure and what he had intended to do
with it. “Did you not know that I was your enemy and coming to lay you
waste?” he demanded. “Why, therefore, did you not take your treasure
and give it to knights and soldiers to defend you and your city?” The
caliph replied nothing, for he did not know what to answer. So Alaü
continued, “Caliph, I see you love your treasure so much, I will give
you this treasure of yours to eat.” So he had the Caliph shut up in the
tower and commanded that nothing should be given him to eat or drink,
saying, “Caliph, eat now as much treasure as you will, for you shall
never eat or drink anything else.” And he left the Caliph in the tower,
where, at the end of four days, he died. Marco must have opened up to
his listeners in Venice horizons of lands almost comparable in extent
to the sea-spaces familiar to their thoughts from infancy. He spoke of
deserts of many days’ journey, of the port of Hormos at the edge of
one of the most beautiful of the plains--a city whence precious stones
and spices and cloths of silver and gold brought by the merchants from
India were shipped to all parts of the world.
But the Poli brought more tangible trophies than the most
circumstantial of tales in their pack. Foolish artists might have held
themselves rich with these, but the honour of their family would demand
better credentials before welcoming fantastically arrayed strangers
into its bosom. The courtyard of the house behind the Malibran, at
which on their return from their travels they demanded admission,
is known still as the Corte del Milione, and its walls are still
enriched with Byzantine cornice and moulding, and with sculptured
beasts as strange as any to be met with in Cublay’s preserves. The
three travellers had the appearance of Tartars, and from long disuse of
their language they spoke in broken Italian. Tradition tells of the way
in which they heaped exploit upon exploit in the attempt to convince
their incredulous relatives of their identity; and at last, according
to Ramusio, they invited a number of their relations to a superb
banquet, at which they themselves appeared in long robes of crimson
satin. When the guests were set down, these robes were torn into strips
and distributed amongst the servants. Through various metamorphoses of
damask and velvet they came at last to the common dresses in which they
had arrived. And when the tables were moved and the servants had gone,
Marco, as being the youngest, began to rip up the seams and welts of
these costumes and take out from them handfuls of rubies and sapphires,
carbuncles, diamonds and emeralds. There was no longer any doubt or
Public-domain text, read in full here on John Shaqi.
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