Art -- Italy -- Venice; Venice (Italy) -- Description and travel; Venice (Italy) -- History
The fame of the Doge’s exploits had fired the imagination of the young
and ardent Emperor Otho III., who made a mysterious voyage by night to
the great Orseolo at Venice and disguised in mean attire went about the
strange city marvelling at the glories of its architecture. The new
ducal palace had just been completed, a stately embattlemented edifice,
in which was constructed a small chapel rich in precious marble and gold
and furnished with an organ of wondrous craftsmanship. A romantic
affection sprang up between the two potentates which was cemented by the
Emperor standing god-father and giving his name to one of the Doge’s
sons. The friends parted, after much intimate converse, embracing each
other and in tears.
Honours too from the East were lavished upon the Doge. Responding to an
appeal from the Greeks he led a fleet to Bari, which was invested by the
Saracens. Signs and wonders in the heavens heralded his coming, and
after three days of hand-to-hand fighting the siege was raised and a
Greek army delivered from destruction. The Byzantine Emperor showed his
gratitude by bestowing the hand of his niece on the Doge’s son Giovanni,
and joyous festival was held at Constantinople in honour of the
alliance. But whatever pride may have been engendered in the Doge’s
breast by this almost more than mortal success was soon chastened by
failing health, affliction at home, and the desolation wrought by plague
and famine in the city. Rich in piety and charity this noble and
heroic servant of the people declined to his end, and at the early age
of forty-eight was laid to rest in S. Zaccaria.
[Illustration: VINE PERGOLA ON THE GIUDECCA]
Public-domain text, read in full here on John Shaqi.
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