“You have a curious way of arousing one’s imagination, stimulating all one’s nerves, and making one’s pulses beat faster. You put an aureole on vice, provided only if it is honest. Your ideal is a daring courtesan of genius. Oh, you are the kind of man who will corrupt a woman to her very last fiber.” * * * * * In the middle of the night there was a knock at my window; I got up, opened it, and was startled. Without stood “Venus in Furs,” just as she had appeared to me the first time. “You have disturbed me with your stories; I have been tossing about in bed, and can’t go to sleep,” she said. “Now come and stay with me.” “In a moment.” As I entered Wanda was crouching by the fireplace where she had kindled a small fire. “Autumn is coming,” she began, “the nights are really quite cold already. I am afraid you may not like it, but I can’t put off my furs until the room is sufficiently warm.” “Not like it—you are joking—you know—” I threw my arm around her, and kissed her. “Of course, I know, but why this great fondness for furs?” “I was born with it,” I replied. “I already had it as a child. Furthermore furs have a stimulating effect on all highly organized natures. This is due both to general and natural laws. It is a physical stimulus which sets you tingling, and no one can wholly escape it. Science has recently shown a certain relationship between electricity and warmth; at any rate, their effects upon the human organism are related. The torrid zone produces more passionate characters, a heated atmosphere stimulation. Likewise with electricity. This is the reason why the presence of cats exercises such a magic influence upon highly-organized men of intellect. This is why these long-tailed Graces of the animal kingdom, these adorable, scintillating electric batteries have been the favorite animal of a Mahommed, Cardinal Richelieu, Crebillon, Rousseau, Wieland.” “A woman wearing furs, then,” cried Wanda, “is nothing else than a large cat, an augmented electric battery?” “Certainly,” I replied. “That is my explanation of the symbolic meaning which fur has acquired as the attribute of power and beauty. Monarchs and the dominant higher nobility in former times used it in this sense for their costume, exclusively; great painters used it only for queenly beauty. The most beautiful frame, which Raphael could find for the divine forms of Fornarina and Titian for the roseate body of his beloved, was dark furs.” “Thanks for the learned discourse on love,” said Wanda, “but you haven’t told me everything. You associate something entirely individual with furs.”