Very woman (Sixtine) : $b a cerebral novel — John Shaqi
Very woman (Sixtine) : $b a cerebral novelGourmont, Remy de
General
Very woman (Sixtine) : $b a cerebral novel
Gourmont, Remy de
French fiction -- Translations into English
_Surdon_.--Curled feathers bob up and plunge into the window. Seeing
me alone, the female traveler hesitates, but the whistle has blown,
a guard shoves her inside. She sits down opposite me, fallen there
somewhat out of breath; she is uneasy although she is not blushing.
The hesitation came from the fear of appearing to have expressly
chosen the compartment in which sat one man. I try to reassure her
with very polished phrases, but I succeed imperfectly. I am quite
certain that some good proverb would amuse and pique her. I end
with: "Occasion makes the thief." In the province, proverbs, that
grammatical archæology, are still the current coin of conversation;
they permit the saying of nothing at all while appearing to say a
great deal. She appreciated my adage and complained of the habitual
grossness of men. I answer her: "That is because women always desire
what is not offered them and scorn what is offered them. A delicate
man, by indefinable signs, lets his fancy be guessed, and does not
commit himself to a decisive movement until the exact moment when
he sees that it is shared." She smiles: "How does one feel this?" I
answer: "The acquiescences are diverse, but there is a special flicker
of the eye-lashes, very slow, which it is difficult to mistake." She
looks at me with astonishment. A very honest woman, amused at this
scabrous conversation, but inexperienced. Her youth and the rosiness
of her complexion bespeak a recent marriage and little maternity:
openly curious, having an eternity of ten years before her, to learn
the secret. Otherwise pretty, and with much distinction, that modern
name for grace; between blonde and brunette; clear, rather large eyes,
the lower part of her face having no hint of brutishness. The trip
from Surdon to Argentan takes sixteen minutes; our several questions
and replies have exhausted them. The brake is put on, we slow up.
Before I could anticipate her movement, she opens the carriage door
until the train comes to a stop, holds the door back, and there I am,
surprised to receive, at the same time, an equivocal bow and a glance
of surprising intensity.
Public-domain text, read in full here on John Shaqi.
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