Hugo, Victor, 1802-1885 -- Criticism and interpretation
Two years before the appearance of _Les Burgraves_ Victor Hugo had begun
his long and glorious career as an orator by a speech of
characteristically generous enthusiasm, delivered on his reception into
the Academy. The forgotten playwright and versifier whom he succeeded
had been a professional if not a personal enemy: the one memorable thing
about the man was his high-minded opposition to the tyranny of Napoleon,
his own personal friend before the epoch of that tyranny began: and this
was the point at once seized and dwelt on by the orator in a tone of
earnest and cordial respect. The fiery and rapturous eloquence with
which, at the same time, he celebrated the martial triumphs of the
empire, gave ample proof that he was now, as his father had prophesied
that his mother's royalist boy would become when he grew to be a man, a
convert to the views of that father, a distinguished though ill-requited
soldier of the empire, and a faithful champion or mourner of its cause.
The stage of Napoleonic hero-worship, single-minded and single-eyed if
short-sighted and misdirected, through which Victor Hugo was still
passing on towards the unseen prospect of a better faith, had been
vividly illustrated and vehemently proclaimed in his letters on the
Rhine, and was hereafter to be described with a fervent and pathetic
fidelity in a famous chapter of _Les Misérables._ The same phase of
patriotic prepossession inspired his no less generous tribute to the not
very radiant memory of Casimir Delavigne, to whom he paid likewise the
last and crowning honor of a funeral oration: an honor afterwards
conferred on Frédéric Soulié, and far more deservedly bestowed on
Honoré de Balzac. More generous his first political speech in the
chamber of peers could not be, but there was more of reason and justice
in its fruitless appeal for more than barren sympathy, for a moral
though not material intervention, on behalf of Poland in 1846. His
second speech as a peer is an edifying commentary on the vulgar English
view of his character as defective in all the practical and rational
qualities of a politician, a statesman, or a patriot. The subject was
the consolidation and defense of the French coastline: a poet, of
course, according to all reasonable tradition, if he ventured to open
his unserviceable lips at all on such a grave matter of public business,
ought to have remembered what was expected of him by the sagacity of
blockheads, and carefully confined himself to the clouds, leaving facts
to take care of themselves and proofs to hang floating in the air, while
his vague and verbose declamation wandered at its own sweet will about
and about the matter in hand, and never came close enough to grapple it.
This, I regret to say, is exactly what the greatest poet of his age was
inconsiderate enough to avoid, and most markedly to abstain from doing;
a course of conduct which can only be attributed to his notorious and
deplorable love of paradox.
Public-domain text, read in full here on John Shaqi.
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