What had he to do with death? He crumpled up the written sheets and
threw them away to the stove. Other written sheets were lying there
waiting to be burnt, all the fugitive waste of an imagination that
overflowed its banks. And he began again to write of the man on the
road, a wanderer who bowed and said good-bye when his minute was done.
And he left the girl behind in the garden, and she was dressed in white
and twenty years old. She would not have him; no, she wouldn't. But he
had stood against the wall behind which she lived. As close as that to
her he had been.
* * * * *
Again weeks and months went by and spring came. The snow was already
gone, far out in space was a foaming of freed waters. The swallows had
come and the woods outside the town quickened with the life of all
kinds of hopping beasts and birds with foreign note. A fresh, sweet
smell floated up from the ground.
His work had taken him all the winter. Night and day the dry branches
of the poplars had lashed the wall with their refrain; now spring had
come, the storms were over and the mill had creaked to a standstill.
He opened the window and looked out; the street was quiet already
though it was not yet midnight, the stars blinked in a cloudless sky,
it looked like a warm, bright day tomorrow. He heard the roar of the
town blended with the everlasting hum of the distance. Suddenly a
steam-whistle shrieked, the night train's signal; it sounded like a
single cockcrow in the stillness of the night. Now it was time for
work; that train-whistle had been like an order to him the whole winter.
And he shut the window and sat down again at his table. He threw aside
the books he had been reading and got out his papers. He took up his
pen.
Now his great work was nearly finished, it only wanted a final
chapter, a farewell message from a ship under way, and he had it
already in his head:
Public-domain text, read in full here on John Shaqi.
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