Vie de Bohème: A Patch of Romantic Paris — John Shaqi
Vie de Bohème: A Patch of Romantic ParisWilliams, Orlo
History
Vie de Bohème: A Patch of Romantic Paris
Williams, Orlo
Paris (France) -- Intellectual life; Paris (France) -- Social life and customs
They had been pure Bohemians, most of them, in their earlier youth, with
higher ideals and more restricted enjoyments; but their gorge, too, had
risen at the squalor of their Maison Vauquer, and they had parleyed with
the devil. Discovering in themselves some talent for making money, they
had exploited it to the exclusion of all others. They traded either in
their own art or in that of others. On the boulevard they held their own
by their engaging sallies of malicious gossip, by their prodigal
extravagance, and, above all, by the fear which their power as
journalists, critics, caricaturists, or newspaper proprietors inspired.
They were Bohemians at heart, carrying the more pardonable disorders of
Bohemia into less exacting circumstances, spending their gifts and their
money without a thought, luxurious, venal, insatiable. Their type is to
be found to-day in the rich mercantile, especially Jewish, society of
all large cities; but in Paris of the thirties and forties they were
more powerful and more conspicuous. Though they could never hope to
enter the Jockey Club, they were hail-fellow-well-met with the _viveurs_
of blue blood; they served the Rastignacs when it was worth their while,
and they were so near to the true Bohemia that their example was at once
its temptation and its despair. Balzac himself sums up the four friends,
Bixiou, Finot, Blondet, and Couture, in a passage which, having myself
said so much, I quote in the original:
"C'était quatre des plus hardis cormorans éclos dans l'écume qui
couronne les flots incessamment renouvelés de la génération
présente; aimables garçons dont l'existence est problématique, à
qui l'on connaît ni rentes ni domaines, et qui vivent bien. Ces
spirituels _condottieri_ de l'industrie moderne, devenue la plus
cruelle des guerres, laissent les inquiétudes à leurs créanciers,
gardent les plaisirs pour eux, et n'ont de souci que de leur
costume. D'ailleurs, braves à fumer, comme Jean Bart, leur agare
sur un baril de poudre, peut-être pour ne pas faillir à leur rôle;
plus moqueurs que les petits journaux, moqueurs à se moquer
d'eux-mêmes, perspicaces et incrédules, fureteurs d'affaires,
avides et prodigues, envieux d'autrui, mais contents d'eux-mêmes;
profonds politiques par saillies, analysant tout, devinant tout,
ils n'avaient pas encore pu se faire jour dans le monde où ils
voudraient se produire."
Public-domain text, read in full here on John Shaqi.
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