Vie de Bohème: A Patch of Romantic ParisWilliams, Orlo
History
Vie de Bohème: A Patch of Romantic Paris
Williams, Orlo
Paris (France) -- Intellectual life; Paris (France) -- Social life and customs
Rastignac is one of the most wonderful characters created by Balzac's
penetrating pessimism; that he had a special place in his creator's
heart is proved, I think, by his frequent appearance on the stage.
Those who delight in the fascinating pastime of following Balzac's
characters through the whole extent of the "Comédie Humaine" will know
that it is impossible to understand Rastignac without reading "La Maison
Nucingen," a story which, for pure virtuosity, is second to none of
Balzac's masterpieces. They will remember that the scene is set in the
year 1836 in a private room at Véry's restaurant, where the impersonal
narrator, by overhearing the conversation in the adjoining room, is
entertained by the thrilling account of how Rastignac profited by Baron
Nucingen's third fraudulent liquidation. The shady financial proceedings
of the astute Alsatian--as exciting as a dashing campaign--are related
in a marvellous series of _boutades_ by Balzac's favourite grotesque,
Bixiou, the own brother of Panurge. Now Bixiou and the three friends
with whom he is dining are Balzac's examples of the third party among
the _viveurs_, that party to which the title _la haute Bohème_ is most
peculiarly applicable. They were neither aristocratic and wealthy, like
a Duc d'Aulnis, nor aristocratic and poor, like a Rastignac, but men of
obscure origin and unusual intelligence. They joined the ranks of the
_viveurs_ neither to banish the _ennui_ of enforced idleness, nor out of
cold calculation for a diplomatic end--for they were inevitably debarred
from attaining any position in the _beau monde_--but simply as a
distraction from their pursuit of worldly success as journalists,
artists, speculators, and general exploiters of society. They were not
single-hearted warriors for an ambition; their aim in life was not
purely diversion, it was merely to obtain the maximum of selfish
enjoyments, which included a satisfied vanity, a full purse, good food,
rare wine, and a pretty mistress. Of them Barbey d'Aurévilly's remark
was true: "Qui dit journalistes dit femmes entretenues. Cela veut
souper."
Public-domain text, read in full here on John Shaqi.
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