Irma knowing that hunger stalked just around the corner, yet desiring
to live alone with her boys, had been immensely relieved and at the
same time almost uncontrollably irritated at the thought of the
arrangement by which Tante Ilde was to be given the very relative
freedom of the alcove. She had gone about the simple preparations for
her taking possession in the best obstructionist manner. The alcove
already contained the old brown plush divan, relic of the house in
Baden, but Irma had shown an amazing unwillingness to clear out a
certain little green and yellow chest of drawers which had "always"
been between the windows in her living room and contained an unrelated
accumulation of objects.
"But she's got to have something to keep her things in!" Corinne had
cried, at the time the fatal arrangement was being made.
This was so obvious that Irma had made no further demur than to say: "I
didn't think she had that much left."
"You've never heard about the lilies of the field?" Corinne asked with
her most oblique look, but it was lost on Irma who said:
"What?" as she noisily dragged the chest of drawers into the alcove.
"How these little pebbles hurt my feet," murmured Corinne further, and
when Irma answered: "What hurts your feet?" she turned aside. Irma was
clearly impervious. But she had emptied the drawers--all except the
top one--quite ostentatiously. Various blessings flowed from Corinne,
who brought their Sunday dinner and who could be counted on to get
the often expensive materials for her needlework; she knew, too, that
Corinne from time to time gave Mizzi a finely-pointed thrust of truth
about what Irma called "jewing her down" in her prices. Corinne could
quietly cut to the bone. Irma had been a skillful needlewoman even in
the old days, now through Mizzi she kept abreast of the latest styles.
That season the rage was for motifs of "petit point" which were being
inserted in Suède handbags, making one of the famous Viennese leather
novelties. She had once received 80,000 crowns, when 80,000 was
something, for a tiny medallion, so fine that she had only been able to
work on it on warm summer mornings with the window open, even the glass
panes seemed to blur it somewhat, though that north window up those
five flights of stairs was certainly as good a place as one could have
for working.
Irma being without sensibility, unconnected with her boys, had said
further to Corinne on that same occasion:
"Business is business," at which Corinne had ineffectually protested
that it was just what it wasn't,--business.
Public-domain text, read in full here on John Shaqi.
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