No one, not even Corinne was ever to know what Frau Stacher's thoughts
or rather feelings were, as soundlessly, in the narrow confines of the
alcove, she unpacked her few possessions. When those designed for the
lower drawer of the little chest were laid in, it stuck obstinately in
a three cornered way as she tried to close it. The upper one had proved
to be still full of old letters, postcards and photographs. A faded
reminder of Heinie and Irma with knapsacks and alpenstocks off on their
honeymoon in the Dolomites, caught her eye, which was further held by a
likeness of her unsuspecting self staring at her from under an oak in
the Stadtpark at Baden, with Anna's baby, the first-born grandchild on
her knee. And _this_ was to what it was all leading up she thought in
unaccustomed irritation, as she gave another push to the lower drawer,
which went in with a jerk that left her breathless. When she wanted to
hang up her coat she found that she had to stand on the divan to reach
the nail. Her eyes taking in the details of that very evident tent of
a night were at their palest, scarcely a trace of blue left in them.
She was quite alone. Irma waiting impatiently to open the door for
her sister-in-law's belated arrival had almost immediately departed
to engage in the protracted and militant operation of marketing. The
three boys were at school. Irma's welcome had been hasty and without
warmth. The room itself was cold with the insidious chill of a room
in a damp climate that has not had a fire in it since the day before.
The white porcelain stove, as Frau Stacher stepped shiveringly over
to it possessed not even a reminder of heat, though she put her hands
knowingly on certain tiles, hoping possibly to find one still warm from
the previous evening. Irma never lighted the fire till the boys got
back in the afternoon. She herself would sit at her embroidery frame
with a round, grey, stone bottle of hot water, wrapt in a piece of old
flannel, in her lap. Frau Stacher tried to think that the place would
be warmer in many ways when the boys came home.
Then the cuckoo clock struck eleven hollow strokes and hurriedly she
began to lay out her very best things to wear to Liesel's. Liesel
adored good clothes and always noticed what people wore. A large part
of her conversation was about making over old things or the possibility
of getting new ones, and the discussion of what was being worn that
season and might be worn the next could induce in her sensations
bordering on rapture.
Public-domain text, read in full here on John Shaqi.
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