It was a comfortable little living room into which she then stepped,
crowded with furniture, mostly Biedermayer, that had belonged to Otto's
mother and his grandmother before her. Mellow, pale brown furniture
decorated here and there with a black motif. A writing desk, with high
shelves and glass doors destined for books, now held a mauve and
white tea-set in old Vienna ware. A green porcelain stove stood in one
corner and was beginning to give forth its gentle heat. Liesel lighted
it about an hour before Otto returned and then all day long into the
evening it could be depended on to give out generously its pleasant,
even warmth. Between it and the window were Otto's armchair and his
special stool for his lame leg, near it a little table with a rack for
his pipes, his wallet of tobacco and a box of Trabucos. Otto _had_ to
have his cigar after supper and when luxuriously he had smoked it he
would pull at his pipe and read the _Wiener Journal_ or perhaps get out
his flute. They talked of renting a piano when things got better and
then Liesel could play his accompaniments. After busy days, pleasant
evenings. Liesel's deft fingers were always at work salvaging something
old,--her darning was famous in the family, or smartly fashioning
something new. She had a way of standing in front of him and asking
him if the stripes were more becoming across or up and down, or she
would sit in his lap and ask him if his treasure could wear her dress
as short as _that_, only so much stuff, every centimeter counted, that
enchanted his uxorious soul. He would pinch her ankles and say that
anybody who wore a 35 shoe could do as she liked, or as far up as the
police permitted, and Liesel would be delighted and laugh and laugh.
After hearing what had happened at the Ministry, she would tell of
those even more vitally interesting visits to provision shops, where
evidently the tradespeople liked to see her, and as far as was wise she
would let him into the secret of her ways of ferreting out the little
that was hidden; her ready smile, those two soft dimples and her even
softer brown eyes counting for much in such operations. Once, but that
was in the very beginning, she had started to tell Otto of the quite
fresh remarks of the cheesemonger--a good-looking fellow--but he'd
pouted for two days and though secretly Liesel was gratified by these
signs of jealousy--once in awhile, like that--in the end she wisely
kept the not at all displeasing personal attentions she received while
marketing to herself.
Liesel had no books and never dreamed of opening the
newspaper,--world-events were nothing to her. After supper as she
sewed, Otto would sometimes read her amusing bits under the caption
"Around about the Globe": "A dangerous Don Juan," "The most useful
tree in the world," "The Adonis of the American film world," "Solemn
mourning for a cat," and such like. Liesel adored cats. She wanted a
cat, a piano and a baby; otherwise she had really little left to wish
for.
Public-domain text, read in full here on John Shaqi.
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