English literature -- 19th century -- History and criticism
This is a random specimen. As you read, the fictitious universe of the
poem seems to expand and advance out of its remoteness, to surge
musically about your senses, and merge itself utterly in the universe
which surrounds you. The summer brightness of the real world goes
halfway to meet it; and the beautiful figures which throb with life in
Mr. Morris's stories pass lightly to and fro between the realm of poetry
and the mild atmosphere of fact. This quality was half the charm of the
author's former poem, _The Life and Death of Jason_, published last
summer. We seemed really to follow, beneath the changing sky, the
fantastic boatload of wanderers in their circuit of the ancient world.
For people compelled to stay at home, the perusal of the book in a
couple of mornings was very nearly as good as a fortnight's holiday. The
poem appeared to reflect so clearly and forcibly the poet's natural
sympathies with the external world, and his joy in personal contact with
it, that the reader obtained something very like a sense of physical
transposition, without either physical or intellectual weariness.
This ample and direct presentment of the joys of action and locomotion
seems to us to impart to these two works a truly national and English
tone. They taste not perhaps of the English soil, but of those strong
English sensibilities which the great insular race carry with them
through their wanderings, which they preserve and apply with such energy
in every terrestrial clime, and which make them such incomparable
travellers. We heartily recommend such persons as have a desire to
accommodate their reading to the season--as are vexed with a delicate
longing to place themselves intellectually in relation with the genius
of the summer--to take this _Earthly Paradise_ with them to the country.
The book is a collection of tales in verse--found, without exception, we
take it, rather than imagined, and linked together, somewhat loosely, by
a narrative prologue. The following is the "argument" of the
prologue--already often enough quoted, but pretty enough, in its
ingenious prose, to quote again:--
"Certain gentlemen and mariners of Norway, having considered all that
they had heard of the Earthly Paradise, set sail to find it, and, after
many troubles and the lapse of many years, came old men to some western
land, of which they had never before heard: there they died, when they
had dwelt there certain years, much honoured of the strange people."
Public-domain text, read in full here on John Shaqi.
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