English literature -- 19th century -- History and criticism
The famous comment upon the girl Wragg, over which the author's
opponents made so merry, we likewise owe--we do not hesitate to declare
it--to this same poetic feeling. Why cast discredit upon so valuable an
instrument of truth? Why not wait at least until it is used in the
service of error? The worst that can be said of the paragraph in
question is, that it is a great ado about nothing. All thanks, say we,
to the critic who will pick up such nothings as these; for if he
neglects them, they are blindly trodden under foot. They may not be
especially valuable, but they are for that very reason the critic's
particular care. Great truths take care of themselves; great truths are
carried aloft by philosophers and poets; the critic deals in
contributions to truth.
Another illustration of the nicety of Mr. Arnold's feeling is furnished
by his remarks upon the quality of _distinction_ as exhibited in Maurice
and Eugénie de Guérin, "that quality which at last inexorably corrects
the world's blunders and fixes the world's ideals, [which] procures that
the popular poet shall not pass for a Pindar, the popular historian for
a Tacitus, nor the popular preacher for a Bossuet." Another is offered
by his incidental remarks upon Coleridge, in the article on Joubert;
another, by the remarkable felicity with which he has translated Maurice
de Guérin's _Centaur_; and another, by the whole body of citations with
which, in his second Essay, he fortifies his proposition that the
establishment in England of an authority answering to the French Academy
would have arrested certain evil tendencies of English literature,--for
to nothing more offensive than this, as far as we can see, does this
argument amount.
In the first and most important of his Essays Mr. Arnold puts forth his
views upon the actual duty of criticism. They may be summed up as
follows. Criticism has no concern with the practical; its function is
simply to get at the best thought which is current,--to see things in
themselves as they are,--to be disinterested. Criticism can be
disinterested, says Mr. Arnold,
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