This story turns chiefly on a great king named Vikram, the King Arthur of the East, who in pursuance of his promise to a Jogi or Magician, brings to him the Baital (Vampire), who is hanging on a tree. The difficulties King Vikram and his son have in bringing the Vampire into the presence of the Jogi are truly laughable;This book also inspired the "Golden Asse" of Apuleius, Boccacio's "Decamerone," the "Pentamerone," and all that class of facetious fictitious literature.Please Note: This book is easy to read in true text, not scanned images that can sometimes be difficult to decipher. The Microsoft eBook has a contents page linked to the chapter headings for easy navigation. The Adobe eBook has bookmarks at chapter headings and is printable up to two full copies per year. Both versions are text searchable.
Vajramukut was nearly fainting as the flood of splendour broke upon him.
Recovering himself he gazed around the rooms, and presently a tumult of
delight invaded his soul, and his body bristled with joy. [62] The scene
was that of fairyland. Golden censers exhaled the most costly perfumes,
and gemmed vases bore the most beautiful flowers; silver lamps
containing fragrant oil illuminated doors whose panels were wonderfully
decorated, and walls adorned with pictures in which such figures were
formed that on seeing them the beholder was enchanted. On one side of
the room stood a bed of flowers and a couch covered with brocade of
gold, and strewed with freshly-culled jasmine flowers. On the other
side, arranged in proper order, were attar holders, betel-boxes,
rose-water bottles, trays, and silver cases with four partitions for
essences compounded of rose leaves, sugar, and spices, prepared sandal
wood, saffron, and pods of musk. Scattered about a stuccoed floor white
as crystal, were coloured caddies of exquisite confections, and in
others sweetmeats of various kinds.[63] Female attendants clothed in
dresses of various colours were standing each according to her rank,
with hands respectfully joined. Some were reading plays and beautiful
poems, others danced and others performed with glittering fingers and
flashing arms on various instruments--the ivory lute, the ebony pipe
and the silver kettledrum. In short, all the means and appliances of
pleasure and enjoyment were there; and any description of the appearance
of the apartments, which were the wonder of the age, is impossible.
Then another veiled figure, the beautiful Princess Padmavati, came up
and disclosed herself, and dazzled the eyes of her delighted Vajramukut.
She led him into an alcove, made him sit down, rubbed sandal powder upon
his body, hung a garland of jasmine flowers round his neck, sprinkled
rose-water over his dress, and began to wave over his head a fan of
peacock feathers with a golden handle.
Said the prince, who despite all efforts could not entirely shake off
his unhappy habit of being modest, “Those very delicate hands of yours
are not fit to ply the pankha.[64] Why do you take so much trouble? I
am cool and refreshed by the sight of you. Do give the fan to me and sit
down.”
“Nay, great king!” replied Padmavati, with the most fascinating of
smiles, “you have taken so much trouble for my sake in coming here, it
is right that I perform service for you.”
Upon which her favourite slave, taking the pankha from the hand of the
princess, exclaimed, “This is my duty. I will perform the service; do
you two enjoy yourselves!”
The lovers then began to chew betel, which, by the bye, they disposed of
in little agate boxes which they drew from their pockets, and they were
soon engaged in the tenderest conversation.
Here the Baital paused for a while, probably to take breath. Then he
resumed his tale as follows:
Public-domain text, read in full here on John Shaqi.
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