This story turns chiefly on a great king named Vikram, the King Arthur of the East, who in pursuance of his promise to a Jogi or Magician, brings to him the Baital (Vampire), who is hanging on a tree. The difficulties King Vikram and his son have in bringing the Vampire into the presence of the Jogi are truly laughable;This book also inspired the "Golden Asse" of Apuleius, Boccacio's "Decamerone," the "Pentamerone," and all that class of facetious fictitious literature.Please Note: This book is easy to read in true text, not scanned images that can sometimes be difficult to decipher. The Microsoft eBook has a contents page linked to the chapter headings for easy navigation. The Adobe eBook has bookmarks at chapter headings and is printable up to two full copies per year. Both versions are text searchable.
In the meantime, it became dawn; the princess concealed him; and when
night returned they again engaged in the same innocent pleasures.
Thus day after day sped rapidly by. Imagine, if you can, the youth’s
felicity; he was of an ardent temperament, deeply enamoured, barely
a score of years old, and he had been strictly brought up by serious
parents. He therefore resigned himself entirely to the siren for whom he
willingly forgot the world, and he wondered at his good fortune, which
had thrown in his way a conquest richer than all the mines of Meru.[65]
He could not sufficiently admire his Padmavati’s grace, beauty, bright
wit, and numberless accomplishments. Every morning, for vanity’s sake,
he learned from her a little useless knowledge in verse as well as
prose, for instance, the saying of the poet--
Enjoy the present hour, ‘tis thine; be this, O man, thy law;
Who e’er resew the yester? Who the morrow e’er foresaw?
And this highly philosophical axiom--
Eat, drink, and love--the rest’s not worth a fillip.
“By means of which he hoped, Raja Vikram!” said the demon, not heeding
his royal carrier’s “ughs” and “poohs,” “to become in course of time
almost as clever as his mistress.”
Padmavati, being, as you have seen, a maiden of superior mind, was
naturally more smitten by her lover’s dulness than by any other of his
qualities; she adored it, it was such a contrast to herself.[66] At
first she did what many clever women do--she invested him with the
brightness of her own imagination. Still water, she pondered, runs deep;
certainly under this disguise must lurk a brilliant fancy, a penetrating
but a mature and ready judgment--are they not written by nature’s hand
on that broad high brow? With such lovely mustachios can he be aught but
generous, noble-minded, magnanimous? Can such eyes belong to any but a
hero? And she fed the delusion. She would smile upon him with intense
fondness, when, after wasting hours over a few lines of poetry, he
would misplace all the adjectives and barbarously entreat the metre.
She laughed with gratification, when, excited by the bright sayings that
fell from her lips, the youth put forth some platitude, dim as the lamp
in the expiring fire-fly. When he slipped in grammar she saw malice
under it, when he retailed a borrowed jest she called it a good one, and
when he used--as princes sometimes will--bad language, she discovered in
it a charming simplicity.
Public-domain text, read in full here on John Shaqi.
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