Autumn was come. The nights were drawing in. It was dusk. Sydney Beaton
pursued his way through gathering shadows, through trees whose foliage
had assumed the russet hues of autumn. There had been rain earlier in
the day; a northerly breeze had blown it away, the same breeze was
bringing the leaves down in showers about him as he walked. He went
perhaps a good half-mile, taking a familiar short cut across his
brother's property on to the neighbouring estate of Nuthurst. He came
to a ring of trees which ran round a little knoll, on the top of which
was what looked to be an old-fashioned summer-house. His footsteps must
have been audible as they tramped through the dry leaves; that his
approach had been heard was made plain by the fact that a feminine
figure came out of the building and down the rising ground to meet him
as he came. What sort of greeting he would have offered seemed
doubtful; something in his bearing suggested that it would have been a
less ardent one than that which he received. Moving quickly towards
him, without any hesitation the lady placed her two hands upon his
shoulders and kissed him again and again.
"Sydney, you are a wretch! Why didn't you let me know that you were
coming?"
"I scarcely knew myself until I was in the train."
"You might have sent me a telegram before the train started."
"I'm only here for half an hour; I shall have to hurry off to catch the
last train back to town."
Something in his words or manner seemed to strike her. She drew a
little away from him in order to see him better.
"Sydney, what's wrong?"
He smiled, not gaily. To her keen eyes his bearing seemed to lack that
touch of boyish carelessness with which she was familiar.
"What isn't wrong? Isn't everything always wrong with me? Aren't I one
of those unlucky creatures with whom nothing ever does go right?"
"Have you quarrelled with George again?"
"He's told me he couldn't give me a bed for the night, which doesn't
seem to point to our being on the best of terms."
There was a momentary pause before she spoke again; and then it was
with quizzically uplifted eyebrows.
"More money, Sydney?"
He was silent. His hands in his jacket pockets, his feet a little
apart, he stood and looked at her, something on his handsome face which
seemed to have obscured its sunshine. When he spoke it was with what,
coming from him, was very unusual bitterness.
"Vi, what's the use of this? I didn't want to let you know that I was
coming; I didn't mean to let you know that I had come, because--what's
the use of it?"
"What's the use of my loving you, do you mean? Well, for one thing, I
thought that you loved me.
"An unlucky beggar who is always in a mess, and only scrambles out of
one hole to get into another--what does his love matter to anyone?"
"I cannot tell you how much it matters to me. And, Sydney, doesn't my
love matter to you?"
"Vi! you mustn't tempt me."
"How do you mean, tempt you?"
Public-domain text, read in full here on John Shaqi.
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