Throughout the whole book this peculiarity is noticeable--there are no
dissertations, no pauses for the author to express his opinions, no
stoppages to reflect,--we are rushed onward with almost breathless
haste, and many times are fain to pause and re-read a sentence, a
paragraph, sometimes a whole page. Like the unceasing motion of a column
of artillery in battle, like the roar and fury of the Carthaginian's
elephant, so is the torrent of Flanbert's eloquence--majestic, grand,
intense, with nobility, sensuous, but never sublime, never elevating,
never delicate.
As an historian, Flanbert would have ranked high--at least in
impartiality. Not once in the whole volume does he allow his prejudices,
his opinions, his sentiments to crop out. We lose complete sight of the
author in his work. With marvellous fidelity he explains the movements,
the vices and the virtues of each party, and with Shakespearean tact, he
conceals his identity, so that we are troubled with none of that Byronic
vice of 'dipping one's pen into one's self.'
Still, for all the historian's impartiality, he is just a trifle
incorrect, here and there--the ancients mention no aqueduct in or near
Carthage. Hann was not crucified outside of Tunis. The incident of the
Carthaginian women cutting off their tresses to furnish strings for bows
and catapults is generally conceded to have occurred during the latter
portion of the third Punic War. And still another difficulty presents
itself--Salammbo was supposed to have been the only daughter of
Hamilcar; according to Flanbert she dies unmarried, or rather on her
wedding day, and yet historians tell us that after the death of the
elder Barca, Hannibal was brought up and watched over by Hamilcar's
son-in-law, Hasdrubal. Can it be possible that the crafty Numidian King,
Nari Havas, is the intrepid, fearless and whole-souled Hasdrubal? Or is
it only another deviation from the beaten track of history? In a
historical novel, however, and one so evidently arranged for dramatic
effects, such lapses from the truth only heighten the interest and
kindle the imagination to a brighter flame.
Public-domain text, read in full here on John Shaqi.
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