Virgin Spain : $b Scenes from the spiritual drama of a great peopleFrank, Waldo David
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Virgin Spain : $b Scenes from the spiritual drama of a great people
Frank, Waldo David
Spain
Here is a large blank house. The court is high, and all about ring
little doors of oak. Below is a hall. Its walls are muffled in rugs, its
floor is far under carpets. Before the divans are tables, and the tea is
spiced. Men in white squat and play upon pipes, and their black eyes
gleam. The music’s shrillness shrieks. Now come women. They are four.
Unminding loveliness moves within thick brocades and clashing gems. The
faces are exquisitely painted. Verdant and nervelessly, they dance. The
body is quiet as a tree, the hands are pliant and susurrous like leaves.
The male music works.... A stomach wrench, violent as childbirth,
shatters upon the mellifluous woman’s body. Above the music comes a cry
from her mouth; it is a piercing call made pulsant with the hand clapped
periodically to the open lips. It dies; the elemental bodies stir again
within the dress and a sleep. But the male music works. The women pause.
The musicians turn about, so that they cannot see. With unfeeling hands,
the dancers loose the bonds of their thick robes. They step from the
splendor fallen to their feet; they are naked. Only the jewels flash and
bite upon their musing flesh. They dance. The muscles of their thighs
flow upward toward their breasts; the arms twine sleepy. The male music
works. The stomach, sudden, as if in unseen violation, wrenches,
cascades, in passional response. The shrilling pipes are visited whole
upon the naked women. They shriek: their cry, overtoned, fluted,
pulsant, marries flesh and iron: blots out the music, and the music
falls.
The town is asleep. Swarming reeking streets of the town are gray and
are shells. The walls stand white under the sky, and over the depths of
brooding human darkness. The crescent moon, with the dark sphere visible
within its horns, sends scimitar rays into the sleep of Islam.
_b._ _Moghreb_
A semi-desert land holds well the squalors and the splendors of its
past. This edge of Africa is the western end of the world whence the sun
slides down to the sea. The bleak steppes, studded with sage and cactus,
rise to sudden mountains; snow fields balance palm groves. It was a
harsh place for a great world to grow in. But glories long since dust in
Bagdad and Damascus have still their form in the cities of Morocco.
Public-domain text, read in full here on John Shaqi.
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