Virgin Spain : $b Scenes from the spiritual drama of a great peopleFrank, Waldo David
History
Virgin Spain : $b Scenes from the spiritual drama of a great people
Frank, Waldo David
Spain
The mountains raise their convolutions in a great struggle, ere they
break and die under these southern sands. The heights grow steep. Water
falls through rock, pours through curtains of brush that hang upon the
gorges. There is verdure: cataracts of stone with silver veins of water,
flats of sand where the palms rise seeking the sun above a precipitous
gulch, water mills hid in orange-groves, terraced houses with many roofs
and every roof a place for looms, for women. The water broadens, is
caught into a hundred irrigating ditches. The date-palms thicken and
camp like an army; the town huddles with its white walls windowless.
The morning sun comes late to the Oasis, for it must rise above the
hills. But dawn dwells already on the desert. It is a subtle radiance of
decaying night. Infinitesimal browns and blacks fleck the dim waste:
these are the camps of nomads who use the Oasis as a trading center.
Their tents are of undyed camel wool, strung low so that they look like
camels crouching. The great slow beasts are at anchor by the tent. Dry
grass is piled for them; they turn their delicate heads on the arched
neck that fronts the body like the prow of a ship. Camel grass burns
within. The Arab, swathed in his white burnouse, squats at the mouth of
the tent and strikes his brow to the dust, saying his dawn-prayer.
Unveiled behind him is his wife over the flame of twisted grass, and
cooks and watches her children. On the horizon stand two caravans of
twenty camels, bulging with dates. Now the thread of their approach
writes upon the desert. It is market day in the Saharan center. There
will be many caravans. And the wide scatter of nomads will close in like
fragments of iron magnetized; making an irradiant design from the town
to the horizons.
The market place is a low square, on the edge of the town away from the
Oasis. One side of it is a mosque, a Koran school, a string of Moorish
cafés where already merchants huddle with their coffee. The corner
breaks into a labyrinth of streets strident with tiny shops. Upon a
third side, the desert road cuts into the breast of sand-dunes; far away
is the white solitary shell of a Marabout’s tomb.
The crowd is the town and the desert: an Arab world, drawn by hunger
from far gold slopes, to make this thick and hardy organism. Most of the
men wear burnouses of unbleached wool; their heads are covered by the
ample hood and the skirt falls low over the inner jacket, over the naked
legs, to the feet which are either bare or shod with sandal soles of
grass thonged to the ankle. Time has dyed the virgin wool and use has
torn it; the shreds and rents are fantasies in dirt. Within the hoods,
sun-baked faces stare. The hands are talonous; the legs are like the
tendoned legs of some great bird. And yet the dirtiest garment falls to
the dust with grace; and the most squalid head is high.
Public-domain text, read in full here on John Shaqi.
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