Virgin Spain : $b Scenes from the spiritual drama of a great peopleFrank, Waldo David
History
Virgin Spain : $b Scenes from the spiritual drama of a great people
Frank, Waldo David
Spain
The merchants sit on straw mats: they bake round acorn cakes on
brasiers; they sell dates gold-dry, bronze-rich; they measure
thimblefuls of palm oil dripped from reeking goatskins; they cobble
sandals; they sell liver of camel and _couss-couss_, a staple dish of
wheat, flaked with vegetables or with meat. (Donkeys stand mournful,
charged with juniper from the distant Atlas.) They sell dust and
fragments of silver, potsherds, amulets against devils, halters, tea;
they sell the dry leaf of the favorite henna. The crowd sways,
bartering, laughing. The Arabic is vowelless and the burnouse is proud.
The Arab is shrewd; his eyes glint, his fingers snap, his voice pelts.
He is the survivor of countless children who have died.
Children not yet dead weave through the intricate clamor. The boys wear
a burnouse over a naked body; the girls are bound in a thick wool
garment that will announce to the men when the breasts bud. They beg,
they snatch a date, they nibble. Half of them are blind in an eye. For
Islam makes no answer to the Ophthalmia of Egypt: is not Allah good to
the blind son, giving him fortune as a beggar, as a ballad singer, as a
muedzin to call the prayer from the mosque tower? Blind eyes, ravaged
flesh, hard voices--most of the children will die. And their survivors
are these hooded men at barter.
Therefore, the men are strong: it is the law that they eat first and
what remains may go to the women and the brood. Women are here, too.
Ancients with foul rags to bind their bulging udders and their bony
legs; ancients almost bald with hands and faces splotched in the henna.
They sell wool or weave mats from the coarse camel grass that bunches in
the sand dunes like the hair on a mole. Younger women hold the veil so
that a single eye peers at the ominous world. They buy wood, slices of
liver, oranges from the East. In the weave of laughter, guttural and
fleshless, of bray of donkey, of rumble of camels like the ebbed roar of
a furnace, twines the call of children ... the call of begging, the
life-call. A hand plashes a drum, a strain of song rises and binds this
chaos.
He sits between a cobbler and a nomad ebon-black with the drooped tender
lip of the Semite. He is the blind singer. He wears a clean tunic of
white and his head is swathed in the turbash. His bare legs gleam like
metal. His hands are delicate as prayer within the market clamor. He
clasps the shallow drum; and his fingers fall like rain.
He sings the deeds of the warriors of Allah. From Mecca they came, and
Al-Medinah; they spread from Araby to Egypt and down to Sudan and east
to India. They brought the sword of the Prophet to the hand of the
world. Like the sun, they went west; like Gabriel they rose into the
Spanish north, bridging the sea with minaret and prayer....
Public-domain text, read in full here on John Shaqi.
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