The question of professions, in as far as they regard marriage, was only interesting to women until of late days, but it touches all of us now. Certainly, if I could help it, I would never marry a wife who wrote. The practice of letters is miserably harassing to the mind; and after an hour or two’s work, all the more human portion of the author is extinct; he will bully, backbite, and speak daggers. Music, I hear, is not much better. But painting, on the contrary, is often highly sedative; because so much of the labour, after your picture is once begun, is almost entirely manual, and of that skilled sort of manual labour which offers a continual series of successes, and so tickles a man, through his vanity, into good humour. Alas! in letters there is nothing of this sort. You may write as beautiful a hand as you will, you have always something else to think of, and cannot pause to notice your loops and flourishes; they are beside the mark, and the first law stationer could put you to the blush. Rousseau, indeed, made some account of penmanship, even made it a source of livelihood, when he copied out the _Héloïse_ for _dilettante_ ladies; and therein showed that strange eccentric prudence which guided him among so many thousand follies and insanities. It would be well for all of the _genus irritabile_ thus to add something of skilled labour to intangible brain-work. To find the right word is so doubtful a success and lies so near to failure, that there is no satisfaction in a year of it; but we all know when we have formed a letter perfectly; and a stupid artist, right or wrong, is almost equally certain he has found a right tone or a right colour, or made a dexterous stroke with his brush. And, again, painters may work out of doors; and the fresh air, the deliberate seasons, and the “tranquillising influence” of the green earth, counterbalance the fever of thought, and keep them cool, placable, and prosaic.