Virginibus Puerisque, and Other PapersStevenson, Robert Louis
General
Virginibus Puerisque, and Other Papers
Stevenson, Robert Louis
Essays
In all that concerns eating and drinking, company, climate, and ways of
life, community of taste is to be sought for. It would be trying, for
instance, to keep bed and board with an early riser or a vegetarian. In
matters of art and intellect, I believe it is of no consequence.
Certainly it is of none in the companionships of men, who will dine more
readily with one who has a good heart, a good cellar, and a humorous
tongue, than with another who shares all their favourite hobbies and is
melancholy withal. If your wife likes Tupper, that is no reason why you
should hang your head. She thinks with the majority, and has the courage
of her opinions. I have always suspected public taste to be a mongrel
product, out of affectation by dogmatism; and felt sure, if you could
only find an honest man of no special literary bent, he would tell you he
thought much of Shakespeare bombastic and most absurd, and all of him
written in very obscure English and wearisome to read. And not long ago
I was able to lay by my lantern in content, for I found the honest man.
He was a fellow of parts, quick, humorous, a clever painter, and with an
eye for certain poetical effects of sea and ships. I am not much of a
judge of that kind of thing, but a sketch of his comes before me
sometimes at night. How strong, supple, and living the ship seems upon
the billows! With what a dip and rake she shears the flying sea! I
cannot fancy the man who saw this effect, and took it on the wing with so
much force and spirit, was what you call commonplace in the last recesses
of the heart. And yet he thought, and was not ashamed to have it known
of him, that Ouida was better in every way than William Shakespeare. If
there were more people of his honesty, this would be about the staple of
lay criticism. It is not taste that is plentiful, but courage that is
rare. And what have we in place? How many, who think no otherwise than
the young painter, have we not heard disbursing second-hand hyperboles?
Have you never turned sick at heart, O best of critics! when some of your
own sweet adjectives were returned on you before a gaping audience?
Enthusiasm about art is become a function of the average female being,
which she performs with precision and a sort of haunting sprightliness,
like an ingenious and well-regulated machine. Sometimes, alas! the
calmest man is carried away in the torrent, bandies adjectives with the
best, and out-Herods Herod for some shameful moments. When you remember
that, you will be tempted to put things strongly, and say you will marry
no one who is not like George the Second, and cannot state openly a
distaste for poetry and painting.
Public-domain text, read in full here on John Shaqi.
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