Inheritance and succession -- Fiction; Man-woman relationships -- Fiction
Marise caught the "second meaning"--the little more than met the
ear--hiding in her mother's words. Mums hadn't been easy about
Severance. She'd thought he had "something on his mind." She had even
been afraid that, although he was following the girl he loved from
London to New York, he didn't mean marriage. She had feared, and almost
expected, that he might break to Marise the news of his engagement to
another woman--a very different woman from the pretty actress. But that
time of Mum's depression had been on shipboard. Severance had "broken"
no news. He had been more devoted than ever before. He had curtailed his
official business in Washington, and rushed back to New York for the
first night of "The Song," so now Mrs. Sorel began to hope that for once
her "instinct" had been a deceiving Voice.
"Yes, happy about everything," she added, so that Marise might
understand without the maid sharing her enlightenment.
"I am, just that!" agreed Marise, stealing time to breathe before Céline
should take off Dolores' "bedroom-scene" dress.
She looked round the room. It had been decorated by the Russian-French
artist, Herté (who had never seen her), to suit Sargent's portrait which
Belloc had lent him to study. In the girl's opinion it did not suit her
at all, unless she were in reality a tigress camouflaged to represent a
sheaf of lilies. But evidently that was what Herté thought she was, and
his conception of her temperament made the girl feel subtle and
mysterious. She adored feeling like that, and she adored Herté's tawny
orange splashes on violent blues, and his sombre blacks and dazzling
whites and lemon yellows, which somehow did not fade her sunlight
fairness. People knew about this room, for descriptions and photographs
of it had appeared in all the papers since she and Mums landed;
consequently everyone had sent flowers to match Herté's famous
colourings.
There were silver azaleas, black tulips, queer scarlet roses, Japanese
tiger lilies, weird magenta orchids, and purple pinks. Severance had
sent blue lilies--the blue that Marise loved, and called "the colour of
her soul." The lilies had been the best of the huge collection, until
the Exciting Thing came--the thing accompanied by no letter, no card.
Towards this object the eyes of Marise travelled. She had been
"intrigued" by it the whole evening, whenever she had time to think, and
puzzle over its charm and mystery.
Public-domain text, read in full here on John Shaqi.
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